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...which stood clean and glowing under a bright blue sky-resounded to a flowing torrent of sound. At the tip of Manhattan it increased. Ships and tugs lent their whistles to the din. Then, lower Broadway -the financial district's Canyon of Heroes -began to resound to the clop of police horses, the crash of brass bands, as paraders moved out to lead MacArthur a mile; to City Hall. History's greatest fall of paper, ticker tape and torn telephone books (2,850 tons) cascaded down, filling the street ankle-deep. It fell so thickly for a time...

Author: /time Magazine | Title: National Affairs: Hero's Welcome | 4/30/1951 | See Source »

...rhythmic clip-clop of hoofs tapping down Roosevelt Raceway's brown half-mile oval was smothered by a swelling roar from the stands as the six-horse field came into the final turn. With less than a quarter-mile to go, a fast-stepping brown mare named Proximity, unbeaten in her five starts this year, had not made a move out of her third-place rut along the rail...

Author: /time Magazine | Title: Sport: Plenty of Horse | 7/3/1950 | See Source »

Last September, Glickman came across the record in his files. Says Lange: "It sounded like something I had never heard before. I was floored. But I knew that right there we had a hot hit." With its fast clippity-clop rhythm (actually a good deal faster than a burro's), it sounded like a poor man's Riders in the Sky. And with the U.S. hungry for what the trade calls "oat" or "popcorn" songs, Lange was right about the hot hit. After Vaughn Monroe, Frankie Laine, Bing Crosby, et. al. had taken a ride on it, Mule...

Author: /time Magazine | Title: Music: Clippity-Clop | 11/21/1949 | See Source »

Mule Train (loo, loo, loo) Mule Train (loo, loo, loo) Clippity-cloppin' over hill and plain, Seems as how they never stop Clippity-clop, clippity-clop...

Author: /time Magazine | Title: Music: Clippity-Clop | 11/21/1949 | See Source »

Director Mark Robson, who made the picture for RKO shortly before rocketing into the limelight with Champion (TIME, April 11), imprinted it with several signs of his fresh style. For one thing, there is an intelligent use of sound. Small, natural noises-the clop of hooves and the rattle of stones under the wagon wheels-take on weight and value. Spots of unbroken silence have the quality of noonday sunlight on an empty plain. Other refreshing and honest touches: the homely treatment of four frontier chippies (including Gloria Grahame); the persuasively intimate feel of the western countryside; the sensitive cinematic...

Author: /time Magazine | Title: Cinema: The New Pictures, Jul. 4, 1949 | 7/4/1949 | See Source »

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