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Word: closeness (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...Various people told us it might take close to forever," Nesson said...

Author: By Jacqueline A. Newmyer, CRIMSON STAFF WRITER | Title: University, Berkowitz Discuss Settlement | 3/19/1999 | See Source »

...Wols's photograph of his close friend Nicole Bouban (pictured) is the most visually compelling portrait displayed. Reclining on a pillow whose filigreed embroideries of butterflies merge with the platinum waves of her hair, Bouban's marmoreal face achieves the vacuity of expression associated with mannequins or dolls. Her smooth skin seems carved out of soap. But Wols's depiction is more than a trite objectification of a woman's face. Though she is reclining, this is not an image of repose. He effects the same response as that engendered in his self-portraits: the image is impossible to penetrate...

Author: By Marcelline Block, AND CONTRIBUTING WRITERS | Title: Visual Arts and Music | 3/19/1999 | See Source »

...Indeed, any and all moves the band made were greeted with screams of appreciation. Justin and J.C. are the obvious hotties of the group, as evidenced by their multiple close-ups on the video screen and the marked increase in cheers every time they approached the sides of the stage. But the largely female audience had no qualms cheering madly whenever any members of the group did one of their countless amazingly deft pelvic thrusts...

Author: By Marcelline Block, AND CONTRIBUTING WRITERS | Title: Visual Arts and Music | 3/19/1999 | See Source »

...Ruggiero also gives Harvard more depth. Sophomore Tara Dunn (18, 15), who replaced Botterill as a first line winger, will center the third line and can join classmates Angie Francisco (11, 31) and Kiirsten Suurkask (11, 15) on the second line if the Big Green can keep the score close in the third period...

Author: By Zevi M. Gutfreund, CRIMSON STAFF WRITER | Title: W. Hockey To Battle Big Green | 3/19/1999 | See Source »

Wols's photograph of his close friend Nicole Bouban (pictured) is the most visually compelling portrait displayed. Reclining on a pillow whose filigreed embroideries of butterflies merge with the platinum waves of her hair, Bouban's marmoreal face achieves the vacuity of expression associated with mannequins or dolls. Her smooth skin seems carved out of soap. But Wols's depiction is more than a trite objectification of a woman's face. Though she is reclining, this is not an image of repose. He effects the same response as that engendered in his self-portraits: the image is impossible to penetrate...

Author: By Nadia ANYMONE Michelle berenstein, CONTRIBUTING WRITER | Title: WOLS Wolfgang Otto Schulze | 3/19/1999 | See Source »

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