Word: closes
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Dates: during 2000-2009
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Jonathan Safran Foer is fascinated by trauma. His first novel, the critically acclaimed “Everything is Illuminated,” chronicled his young facsimile’s eastern European journey to unpack the lives of his Holocaust-survivor relatives. “Extremely Loud & Incredibly Close,” his second, was a deeply-felt emotional mosaic about the resonance between the 9/11 attacks and the Dresden firebombings. Foer’s first work of nonfiction, “Eating Animals,” has a different sort of trauma in mind: the suffering inflicted on livestock...
...especially while he is dealing with demons of his own. In the first few scenes, we discover that Montgomery has been recognized for war heroism, the reasons for which remain ambiguous until the movie’s end. We also find out that he’s maintained a close relationship with his ex-girlfriend, Kelly (Jena Malone), who sleeps with him immediately upon his arrival home only to reveal that she’s been considering marrying her new boyfriend. Montgomery is soon paired with a gruff superior named Captain Tony Stone (Woody Harrelson), a recovering alcoholic and serial...
...these individuals only at their weakest moment, left with a single, striking image. There are no build-ups or resolutions, and, as such, the film rarely slips into facile sentimentalism. Instead, the audience sees only an immediate reaction, captured by a trembling handheld camera as opposed to traditional close-up techniques. Warned against giving hugs and other gesture of comfort, the men can do nothing but stand and watch in stoic rigidity...
...last time we got close to writing drastic regulation on credit or debit cards was in 1991, when 74 senators voted in favor of a 14 percent interest-rate cap on credit cards. George H. W. Bush had given a fundraising speech in New York where he talked about lowering credit-card rates, a bullet point that had been included at the last minute by his chief of staff but hadn’t been approved by his economic advisors. Support from a Republican president lent congressional Democrats the air cover to move a bill that received no more than...
...especially the danceable “Gunman” successfully channel the album’s aggressive spirit into well-crafted tracks. However, the album’s biggest weakness is the band’s tendency towards indulging themselves a little too much. Containing three songs close to or longer than seven minutes, and at over an hour of consistently hard and loud rock music, the album can get a little tiring. The appropriately titled “Interlude with Ludes” is a particularly wasteful use of four minutes, while closer “Spinning in Daffodils?...