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Kechiche was more enthusiastic when discussing the purely aesthetic components of the film. For example, he gave a poetic explanation to his frequent use of close-ups, saying...
...seems that there is something mysterious in the faces themselves. Something seems to appear in the faces—which I still do not understand—I dare to even call it Truth, and I find it better expressed in close...
There are a few great jokes in the film that involve Crispin Glover as a hotel attendant whose present-day self is missing an arm. Throughout the film, there are numerous instances of the character coming close to losing the limb, much to the frustration of Corrdry, who desperately wants to see it happen...
...darker moments that hearken back to the duo’s earlier style. However, Goldfrapp doesn’t quite pull it off like they did with their sultry 2003 hit single “Strict Machine.” “Shiny and Warm” comes close, with a pulsating rhythm that compliments Alison’s eerily beautiful vocals, but the mindless lyrics undercut the song’s efforts. “Hunt” also falls just short. The ethereal synths over which Alison’s consistently strong vocals seem to float would...
...odes to love, often found in a club—is pretty well known by now, and no amount of personal issues are going to change it. Sticking to this staple, however, is not guaranteed to deliver Usher chart-topping hits. Whereas “Confessions” shifted close to 10 million copies in the U.S. and spawned four number one hits, Usher’s last album, 2008’s “Here I Stand,” failed to reach the success of its predecessor. Songs about love in a club are all well...