Word: closets
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Dates: during 1990-1999
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Still, says Dr. William Fair, head of the urology division at Manhattan's Memorial Sloan-Kettering Cancer Center, "prostate cancer is beginning to come out of the closet. Fifteen or 20 years ago, you couldn't even mention the word prostate in polite mixed company." Indeed, popular awareness of prostate cancer may now be at a stage similar to that of breast cancer two decades ago, after Betty Ford and Happy Rockefeller revealed publicly that they were victims of a cancer that until then had been discussed only in private, and urged women to have mammograms...
KUDOS FOR YOUR STORY ON THE DOCUmentary The Celluloid Closet and your discussion of homosexual themes in film [CINEMA, March 11]. It was an exceptional piece on one of the most misunderstood subjects of our time. Fortunately for the men and women in the gay and lesbian community, things in Hollywood and the rest of the world are starting to turn around--not quickly, but at least now the subject of homosexuality can be discussed openly and, at times, without fear. My generation may not live to see the day when sexual orientation is a nonissue, but then again most...
This year, however, a film has appeared that has surpassed all expectations. "The Celluloid Closet," directed by Rob Epstein and Jeffrey Friedman and based on the book by the late Vito Russo, is thorough, honest, coherent and artful. Tackling the tricky, complicated question of gay Hollywood, the creators of this film acquit themselves admirably. The movie, narrated unobtrusively by Lily Tomlin, is a comprehensive view of the presence of gay themes and characters in movies from the very beginning to the present. We witness the dramatic evolution from total stereotype and vague innuendo to movies wholly about gay life, including...
...secret any more." Apparently, k.d. lang, who provides a new recording of the song over the final credits, agrees with its relevance. The image of two men slowly dancing together, from an early experimental film by Thomas Edison, seems strange and haunting at the beginning of "The Celluloid Closet" but even more so at the end, where it is used to great effect, bookending the progress shown in the film, in which such images began as innocuous and then became an object of prurient curiosity and hatred, finally, as the directors hint, a symbol of possibility and hope...
...visibility of events like BGLAD are important in helping students feel more comfortable as members of the gay community. And they send a signal of acceptance to students who are thinking of coming out of the closet, Croes says...