Word: closeups
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Dates: during 1970-1979
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...Skylab astronauts also obtained closeup views of erupting prominences, which consist of relatively cool clouds of ionized (or charged) gases that have temperatures of only about 6,000° F., compared with typical temperatures of 2,000,000° elsewhere in the corona. Before Skylab 2, solar physicists thought the phenomenon was relatively rare. Now it has been observed about once every two weeks, followed by periods of radio interference on earth. The astronauts also made observations of so-called solar bright points; although the points were previously thought to be concentrated in the sun's active equatorial belts...
...SERIES of powerful shots of downtown Kingston, music enables Director Perry Henzell to move quickly from closeup to closeup without disrupting the viewer's overall perspective. Music knifes through the film as the constant reminder of the attraction of the successful hustle. Henzell is able to spotlight key segments of dialogue by removing the mantle of sound, and isolating them in sudden stark silence...
...command module window, and Astronaut Charles ("Pete") Conrad Jr.'s exuberant voice came crackling across space: "Tallyho! Skylab!" As he maneuvered the Apollo spaceship closer to the windmill-shaped orbiting laboratory, Conrad gave crewmates Joseph Kerwin and Paul Weitz-and millions watching their TV screens on earth-a closeup look at the damaged Skylab...
...gets video tape after video tape of Nauman gravely smearing his body with black or green makeup; Nauman distending his mouth in froggy grimaces at the camera; Nauman Walking in an Exaggerated Manner Around the Perimeter of a Square; and an effort named Bouncing Balls, 1969, a long closeup of Nauman's unremarkable testicles jiggling up and down. It makes the most tedious of Warhol's movies seem like the chase scene in Bullitt. Every so often, Nauman inflects the monotony a little by putting the camera on its side, or (daring innovation!) upside down. And occasionally...
...histories like Nicholas and Alexandra. It is good to see him again in a role of size, if not of substance, and he makes wonderful sport of it. His face is a study in split-second metamorphoses. He does so much with it so fast that sometimes, in a closeup, he gives the impression of a multiple exposure. Caine seems not in the least daunted by acting with a legend incarnate. To say that he matches Olivier in every way is to pay him the highest of compliments...