Word: closings
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Dates: during 1970-1979
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...Carters have always been close, but Rosalynn's role as a political adviser is only now becoming clearer. She and she alone was consulted on every move in Carter's bid to revitalize his presidency this past month. The doleful documentation of national dispirit reported by Presidential Pollster Pat Caddell in his April memo deeply affected her, and she expressed her concern to her husband. Said one top aide: "She sensed that something had to be done before he did, and that had a huge impact on his thinking." So she launched with the President a personal study...
Like Carter's other longtime close advisers, Caddell is young (29). The son of a career Coast Guard officer, he wrote his senior thesis at Harvard ('72) on the changing politics of the South. While still a student, he did some polling for George McGovern in 1972, when he met Carter. Caddell became the Georgian's personal pollster four years later...
...nothing really propels the images into each other. It's not the editor's-fault; Badham just never bothered to devise a cutting style, so special effects pop out at you mechanically, unsurprisingly, without the right build-up, like creaky hobgoblins in a decomposing funhouse. And because his close-ups are so brief and his cutting so nervous, we're never close to any character for long enough to build up any identification. The movie is thoroughly uninvolving...
...Stone Age, or at least until the credits roll? Each finish was filmed, and each had its supporters, with the movie's distributor, United Artists, rather partial to the more pulverizing-and just possibly more profitable-version. The director, however, began to favor a calmer conclusion and will close his film without the fireworks. At least for now. "Francis just loves to fiddle," explains one of his aides. "It's in his makeup...
After sneak showings of Close Encounters of the Third Kind, Steven Spielberg cut only the background song, When You Wish Upon a Star, from the final spacecraft scene, but that small snip changed the mood of the story. "I felt the song was going to be perceived as wistful thinking," says the director today. "The audience perceived the film as a current event." Spielberg may return the song to the soundtrack in what must surely be the most extraordinary case of film tinkering ever: he is readying a revised version of Close Encounters, one of the top ten grossers...