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Sophomore quarterback Brian White would have seen a lot of action yesterday if not for a blood clot in his throwing arm. It was clear by Thursday he wouldn't play, Joe Restic said...

Author: By Mike Knobler, | Title: Demolition Derby | 10/17/1983 | See Source »

...Cornerback John Dailey still has fluid in his right knee; he didn't play. Neither did defensive tackle Barry Ford, nor linebacker Andy Nolan, whose deep thigh bruise has calcified, restricting his mobility. And Restic's usual backup QB, Brian White, was unavailable for action, suffering from a blood clot in his throwing...

Author: By Jim Silver, | Title: Gridders Turn It Over to Dartmouth | 10/17/1983 | See Source »

...George Sibbald's play Brothers, the McMillan family artery has been badly ruptured, and the threat of an irreparable clot is imminent. Beset by internal divisiveness, the McMillans quarrel and argue incessantly; the entire second act is an unbroken family battle. Superficially, Brothers seems little more than a soap-opera amalgamation of labor unrest, family feuds, and terminal illness, but fine writing and acting elevate it beyond the level of daytime serial...

Author: By David B. Pollack, | Title: Thicker Than Water | 9/28/1983 | See Source »

Along with an assortment of German neoexpressionists and many others besides, the three Italians were packaged in a sonorous phrase by a Roman critic: la transavanguardia, or the "trans-avant-garde." This clot of art jargon, like "post-modernism," means nothing definable. It merely points to a mood of eclectic revivalism, the assumption being that since progress in art is a myth, painting must perforce go crabwise, with many nostalgic glances backward. Under such a vague rubric, Chia looks a very apposite painter. Granted, neither he nor his fellow transavanguardisti get anywhere near the best German art of this generation...

Author: /time Magazine | Title: Art: Doing History as Light Opera | 5/16/1983 | See Source »

DIED. Jacques Tati, 75, whimsical French film maker, forever associated with his gangly, amiable and bewildered persona Monsieur Hulot; of a lung blood clot. A droll mime, Tati made films (Mr. Hulot's Holiday, 1954; the Oscar-winning Mon Onde, 1958; four others) that were meticulously wrought explosions of philosophical slapstick with little dialogue and less plot, suggesting that modern values are topsy-turvy. Said he: "What I am trying to prove is that at bottom everyone is amusing...

Author: /time Magazine | Title: Milestones: Nov. 15, 1982 | 11/15/1982 | See Source »

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