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...this show is Two Girls in White Dresses, circa 1909-11. (It is actually one girl, his niece, painted twice, lying on an Alpine hillside.) Except for the faces, not an inch of skin is visible. They are completely swaddled in cotton and cashmere, but the agitation of the cloth into powerful folds and hollows, together with the passivity of the poses, gives the image a disconcerting sensuality--not striptease, but layer-tease...

Author: /time Magazine | Title: Art: A True Visual Sensualist | 3/29/1999 | See Source »

...reading every book and paper he could find on the still earthbound science of human flight. And four years before they made history at Kitty Hawk, the brothers built their first, scaled-down flying machine--a pilotless "kite" with a 5-ft. wingspan, and made of wood, wire and cloth. Based on that experiment, Wilbur became convinced that he could build an aircraft that would be "capable of sustaining...

Author: /time Magazine | Title: Aviators: THE WRIGHT BROTHERS | 3/29/1999 | See Source »

...work for the fashion pavilion at the 1937 Paris World's Fair continues his studies of the form and figure. The Surrealist ambitions of Couturier's De Chirico-like mannequins, with their featureless faces and heavily textured plaster surface, apparently appealed to Wols. Cloth is more carved than draped as the mannequins cavort and tremble at their shadows, which chase them among the neoclassical columns that decorated their stages and pedestals...

Author: By Marcelline Block, AND CONTRIBUTING WRITERS | Title: Visual Arts and Music | 3/19/1999 | See Source »

...work for the fashion pavilion at the 1937 Paris World's Fair continues his studies of the form and figure. The Surrealist ambitions of Couturier's De Chirico-like mannequins, with their featureless faces and heavily textured plaster surface, apparently appealed to Wols. Cloth is more carved than draped as the mannequins cavort and tremble at their shadows, which chase them among the neoclassical columns that decorated their stages and pedestals...

Author: By Nadia ANYMONE Michelle berenstein, CONTRIBUTING WRITER | Title: WOLS Wolfgang Otto Schulze | 3/19/1999 | See Source »

...work for the fashion pavilion at the 1937 Paris World's Fair continues his studies of the form and figure. The Surrealist ambitions of Couturier's De Chirico-like mannequins, with their featureless faces and heavily textured plaster surface, apparently appealed to Wols. Cloth is more carved than draped as the mannequins cavort and tremble at their shadows, which chase them among the neoclassical columns that decorated their stages and pedestals...

Author: By Nadia ANYMONE Michelle berenstein, | Title: Wols (Wolfgang Otto Schulze) | 3/19/1999 | See Source »

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