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This production of The Sea of Lost Time has many other notable touches. The witty and effective music ranges from tropical so flamenco to a guitar rendition of "La Vie en Rose." The use of textile props, from a net hammock to a trailing length of purple cloth, is splendidly handled...

Author: By Joel Villasenor-ruiz, | Title: All the World's a Magical Stage | 4/29/1993 | See Source »

...Homo Querulosus--This species is also known as the Protester. A common misconception is that for each cause, there is a different species. But all protesters, from the Old Fogeys-to-be of AALARM to the myriad of screechy hyperactivists of the left are cut from the same cloth. They are blowfish inflated with self-righteousness--never upset but "shocked" and "outraged." A profoundly masochistic breed, they are never so gleeful as when they are aggrieved. Conversely, they are never so lost, dejected, and confused as when they get what they want. Rather than suffer from such a fate...

Author: By Benjamin J. Heller, | Title: A New Cambridge Taxonomy | 4/24/1993 | See Source »

...something of a political prophet, Phillips staked out his reputation for foresight in 1969. Having worked for the Nixon campaign, he argued in The Emerging Republican Majority that Republicans would come to dominate presidential politics by bashing the liberal Establishment and praising middle-class, church-going, penny-pinching, cloth coat-wearing values...

Author: By John A. Cloud, | Title: Kevin Phillips' Boiling Point Is Not so Hot | 4/22/1993 | See Source »

Rothenberg did her first horse, a pallid and watery sketch, in 1973, and it is hard nowadays to remember what an unyielding prejudice against any kind of hand-painted figuration existed in New York 20 years ago. Abstract art -- in particular its last whole-cloth style, Minimalism -- had done away with all that. It had also shaped artists' expectations about format: split and abutted canvases, "primary" X shapes, the whole pictorial rhetoric of the canvas as object...

Author: /time Magazine | Title: Art: Signs of Anxiety | 3/1/1993 | See Source »

With a minimum of props, the tech crew has created an effective set for differentiating locations. A large cloth wall painted with books represents the library setting. However, the wall rises, falls, bursts, unzips and reseals to denote changes of scene. Schwartz makes full use of this bit of ingenuity to keep the play visually interesting...

Author: By John Aboud, | Title: Mismatched Bookends at the Loeb Experimental Theatre | 2/25/1993 | See Source »

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