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Leon Malard sat at his small kitchen table, covered with a blue plastic cloth, and with strong, thick fingers stroked the stubble on his chin. His black hair was cropped to its roots, his glasses coated at the edges with the grit from a morning of tilling in his stunted cornfield, which hugs a bluff above the Missouri River between Bismarck and Cannon Ball...

Author: /time Magazine | Title: North Dakota: The Big Dry | 7/4/1988 | See Source »

Dlamini calls her parents three times a week. Her roommate, Nandi Ndlovu, a 17-year-old with a round face like a happy Buddha, phones home nearly every night. "I can't do otherwise," she shrugs. Enfolded in a pink terry-cloth bathrobe, she curls up in an armchair and lets the computerized pages of the phone bill cascade to the floor: $3,967.78 worth of calls in two months. In the kitchenette, the remains of some ipapa, South African-style cornmeal bread cooked here in the wee, homesick hours after the show, lie among empty cans of grape soda...

Author: /time Magazine | Title: In New York: Children of Apartheid Meet Broadway | 6/13/1988 | See Source »

...trouble was, he would say anything. "He delighted in turbulence," writes Clarke. "When none existed, he would stir it up." Clarke quotes Slim Keith's recollection that "he would invent something out of whole cloth, an absolute fabrication, and say, 'Did you know that X is having a walk-out with Y?' I would say, 'Oh, Truman, for God's sake! That's ridiculous!' Then I began to think about it more and wondered: is it that ridiculous? And something usually did come of his invention . . . he could cause a lot of trouble...

Author: /time Magazine | Title: Books: The Troubles of the Tiny Terror CAPOTE: A BIOGRAPHY | 5/30/1988 | See Source »

...inked paper. One pantsuit in atomic-orange wool knit looks like a drill uniform for fashion insurrectionists. Another pantsuit in silk clings and flares in the jacket, rides the waist, then blossoms out in the cuffs, looking, in its mad dappling of colors, like a loft painter's drop cloth. "Everything is so much the couture look, the expensive look, now it's time to rethink again, to find something different," Miyake says. Even in times of uncertainty, as now, Miyake conclusively demonstrates that there is always one sustaining direction for a designer: inward...

Author: /time Magazine | Title: Living: When Paris Is Not Burning | 3/28/1988 | See Source »

Jackson likes to end speeches with the story of his grandmother, who took odds and ends of cloth ("not hardly fit to wipe your shoes with, some of them") and stitched them into a quilt that kept him warm as a child. Then, referring to different minorities or excluded parts of his audience, he tells farmers, or strikers, or Hispanics, that "you're right, but your patch ain't big enough." The minorities must unite to extend their influence. He does not reach the real conclusion of his parable -- that the white patch ain't big enough either; the majority...

Author: /time Magazine | Title: Making History with Silo Sam | 3/21/1988 | See Source »

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