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...given over to thought about the human condition. Here in Russia these teeming hordes were referred to as "the masses;" in the U.S., the same people would be called "the viewing public." But were they not, in fact, the same? Were not Russians and Americans cut from the same cloth? Were they not, in the end, both human...

Author: By Rutger Fury, | Title: My May Day With Mikhail | 5/2/1987 | See Source »

Whatever the behavior of the Harvard spectators, one thing was certain: the Crimson victory was heavenly. After the game, the Harvard band draped a banner over the glass that proclaimed the Crimson ECAC Champion. The cloth banner fell to the ice once and Harvard forward Steve Armstrong triumphantly lifted it back over with his stick...

Author: NO WRITER ATTRIBUTED | Title: Reporter's Notebook | 3/16/1987 | See Source »

...years ago, makes almost all of the masks and costumes used in the performance. She describes her favorite apparitions this way: "The Jester is a bedspread, some socks and curtains, beads and bells. Buttonface is pajamas, a favorite shirt, lots of buttons, a vegetable steamer, socks and an old cloth flag I used to fly in Arroyo Hondo. The apparitions are gentle reminders to the Amtrak passengers that dreams are important aspects of our lives...

Author: /time Magazine | Title: In New Mexico: Visions Along the Amtrak Line | 3/2/1987 | See Source »

...afternoon in the Loita Hills, there were three Masai warriors, called ilmurran, sitting in the shade beside a dung-walled hut. Their hair was long and greased with fat. They were barefoot and wore only the shuka, a bright- patterned piece of cloth, like a tablecloth, draped as a short toga around waist and shoulders. Their spears leaned against the wall of the hut, with their rungu -- knob-ended clubs that the Masai can throw with a fierce accuracy. One of the warriors, named David, spoke halting English. He was about 20 years old, although the Masai pay little attention...

Author: /time Magazine | Title: Africa | 2/23/1987 | See Source »

...musicals must be "about" something beyond melody and romance. Rags tried to survey the immigrant experience, Honky Tonk Nights blended music hall with racial conflict, Raggedy Ann was a dying girl's Freudian nightmare, and Into the Light asked whether the Shroud of Turin is Jesus Christ's burial cloth. All suffocated under the weight of their ambition...

Author: /time Magazine | Title: Theater: Beauty Marks Smile Music | 12/8/1986 | See Source »

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