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...even more jarring: Richter gave the painting to the memorial in Lidice, Czech Republic, commemorating one of the horrific slaughters of World War II. The image, taken from a family photo, is out of focus, deliberately blurred by dragging a brush through the wet paint or wiping a cloth over it. It looks like memory trying to be recaptured, wavering up to meet us through layers of consciousness and efforts of repression. But it is not in any real sense "expressive." Richter is the man who notoriously said he could find more interest in the dumbest amateur snapshot than...

Author: /time Magazine | Title: Art: The Unblinking Blur | 5/6/2002 | See Source »

...leaders came to pay their respects. To Jnawali, who had seen his brother's wounds, the sight of him covered in flowers and bound in white was too much. As the ministers drew near, he brushed aside the orange and purple blooms and ripped open his brother's burial cloth to show the butchered body. "I said, 'Look at him. Look at what they did to him. Look at how your party suffers.' But none of them could look. They were too afraid...

Author: /time Magazine | Title: Nepal: Return to Year Zero | 5/6/2002 | See Source »

...circular lattice wall topped by a round roof that comes to an adorable little point. The simple design belies its many virtues: yurts are tough as a yak, easy to build and cheap to heat. They're also eco-friendly: there's not much in them besides wood and cloth, and they sit lightly on the ground, no foundation required, so their impact on the environment is minimal...

Author: /time Magazine | Title: Home Is Where the Yurt Is | 4/22/2002 | See Source »

...Untitled (Blake Man)” with the falling dusk in the background; a faint orange glow on the sand and grass in the distance and reflected on the lake below serves as a reminder of the fading sun. A feather is wrapped with a cloth around his head and a miniature wing emerges from the small of his back—yet it seems all too insignificant an apparatus to allow such defiance of gravity, and the picture reminds us of Icarus’ tragic tale. His hand reaches out behind him in a way that seems to recall...

Author: By J. hale Russell, CRIMSON STAFF WRITER | Title: With a Grain of Salt | 4/19/2002 | See Source »

Although many of the figures throughout the exhibition are not naked—they wear explorers’ garments, World War I leather pilots’ helmets and goggles—another print shows an unclothed man, only his waist wrapped in a small cloth, lying lifelessly on a sparsely vegetated dune. He is surrounded by five wolves, but their relation to him seems maternal and loving rather than violent. The wolves and the intense white of the sand and sky suggest a snow-covered, winter quality. The barrenness of the nature and the bareness of the central figure establish...

Author: By J. hale Russell, CRIMSON STAFF WRITER | Title: With a Grain of Salt | 4/19/2002 | See Source »

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