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...haunch of a squirrel, the wing of a roosting bird or even the back of a caterpillar -- she goes to work with awesome efficiency. Her slender proboscis, consisting of two sharp and sometimes serrated cutting % tools surrounding a pair of tiny tubes, pierces the skin (and, if necessary, the cloth or feathers protecting it) and finds a capillary, bending to slide into the tiny blood vessel. Down one tube comes her saliva, which deadens sensation and blocks coagulation. Up the other goes a drop of her victim's blood. In less than a minute, she makes her getaway. She finds...

Author: /time Magazine | Title: Summer's Bloodsuckers | 8/10/1992 | See Source »

...Amidst cloth-covered cubicles in the Widener Library basement--far from the official negotiating rooms--three rank-and-file members of the Harvard Union of Clerical and technical Workers members are debating the tactics of this summer's negotiations...

Author: By Joanna M. Weiss, CRIMSON STAFF WRITER | Title: Union Contract Debate Resumes | 8/4/1992 | See Source »

RELIGION: Cut from a Different Cloth...

Author: /time Magazine | Title: Time Magazine Contents Page | 6/22/1992 | See Source »

...this medium Canova became a virtuoso almost from the start of his career, with a formidable talent for organizing the softness of flesh, the bulges and hollows of the body, the movement of windblown cloth into the live whiteness of the granular, crystalline, semitranslucent stone. Canova's desire to imitate Greek statuary by fusing the Ideal with the Real translates into a high degree of abstraction in the physical details of his sculpture -- smooth limbs with no warts, wrinkles or blemishes, and elaborate transitions that lead your eye around the figure or the group. The garland of six linked arms...

Author: /time Magazine | Title: Fugues In Stone and Air | 6/15/1992 | See Source »

...under the supervision of the Getty's director, Miguel Angel Corzo, a Spaniard. When he began six years ago, he faced a formidable task. Paint was flaking and chunks of plaster were detached from the limestone walls. Insects nested in corners. Egyptian officials had glued large squares of cloth to the walls to prevent them from collapsing and had suspended a net to catch portions of falling ceiling plaster...

Author: /time Magazine | Title: The Tomb of Queen Nefertari | 6/1/1992 | See Source »

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