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...superb mesh of graceful choreography and music (“Silence” by Delerium). The choreography is perhaps the best of the show, technically speaking; it retains the characteristic fluidity of Me in a Box despite its complexity. The dancers’ motions revolve around a gauzy red cloth that serves as a tangible boundary between the figures. Its presence sometimes separates one from the rest, but then brings the group together, stretching the “boundary” in physical reality and meaning...

Author: By Mary A. Brazelton, CONTRIBUTING WRITER | Title: Dance Review: Stepping Out of the Dancer’s Box | 12/6/2004 | See Source »

...Mahfouda ’05, a Visual and Environmental Studies Concentrator in Dudley House, and Coll, a Social Anthropology concentrator in Leverett House, are the chief planners of Present!’s next happening. The event’s focus will be the construction of a gigantic cloth...

Author: By Mary A. Brazelton, CONTRIBUTING WRITER | Title: Harvard Harbors Happenings | 11/12/2004 | See Source »

...need to think about texture and weight,” said Coll, surrounded by brightly colored cloth in a Sew-Low fabric supply shop. “There’s a bright yellow...No, that would look like a fluorescent McDonald’s....” Coll and Mahfouda peruse the rolls of cloth until they find a suitably shocking turquoise to match the cheerful red fabric they have already carefully selected...

Author: By Mary A. Brazelton, CONTRIBUTING WRITER | Title: Harvard Harbors Happenings | 11/12/2004 | See Source »

...assistant Tom Cavanagh at 6’0, Charlie Johnson and Steve Mandes at 5’11 and Kevin Du at 5’8. That’s not to say they can’t deliver a hit or physical performance, but playmakers cut from their cloth have disproportionately suffered in the neutral zone as a result of those no-calls...

Author: By Timothy J. Mcginn, CRIMSON STAFF WRITER | Title: Crimson Heavily Penalized in Opener | 11/3/2004 | See Source »

...more traditional sculpture certainly does not. And on the experiential side, I did genuinely enjoy interacting with some of the pieces; “Head Body Limbs,” in particular. There was something strangely satisfying about becoming part of the sculpture’s structure, gripping the cloth and standing there with arms akimbo, feeling my body share the tension of the canvas as I actively gave form to the object. Perhaps the closest I can come to describing it is to say that I felt a little like I imagine a tent pole might feel?...

Author: By Julian M. Rose, THE ANGEL OF POST-MODERNISM | Title: ‘Dependent Objects’ at the Busch-Resinger | 10/15/2004 | See Source »

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