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...most eccentric in the year's rash of musical moppets is Chicago's David ("Dudy") Davis, 6, a violinist being kept under cover for later, safer release. A raw-vegetarian and nudist, Dudy is taken to school bundled in a large cape, stripped down to a loin cloth when he practices. Even so, he is sometimes too hot, and cries: "I'm sweating bullets...

Author: /time Magazine | Title: Music: Prodigies | 11/1/1937 | See Source »

...Vagabond and his girl sat down again a rivulet on the seat made it a wet, very wet joke. Amid this flood of the heavens there was a squirming and uneasiness. Oilskins from the Five and Ten covered exposed legs; the water coursed down the smooth surface of the cloth onto the backs of those in front. Gentlemen turned down the rear brim of their hats, and the water spouted into the face of those behind. The Vagabond's girl borrowed his handkerchief to tie down her unstable hat; one was not enough, however, and she claimed his pocket handkerchief...

Author: NO WRITER ATTRIBUTED | Title: The Vagabond | 10/25/1937 | See Source »

...study the painting of his successors, chances are that the great Florentine experimenter, well acquainted by now with "abstractions," would have shrugged, smiled, agreed last week with the Carnegie jury which unanimously awarded first prize ($1,000) to Georges Braque of Paris for a design called The Yellow Cloth...

Author: /time Magazine | Title: Art: Carnegie Show | 10/25/1937 | See Source »

Immortal Pattern? To others than a hypothetical da Vinci, The Yellow Cloth last week looked like a masterly success in the highly specialized field which Georges Braque took for his province 30 years ago and has never deserted. A big canvas, almost 5-by-4 ft., it hangs on the same wall with a Picasso Harlequin, a stormy Vlaminck meadow, a Matisse nude and a figure painting by Segonzac. All of these painters except Vlaminck are onetime winners of the Carnegie first prize. The Braque painting rather gained than lost by their company. Why this was true few critics...

Author: /time Magazine | Title: Art: Carnegie Show | 10/25/1937 | See Source »

Familiar with such devices of abstraction from reality as rapid changes of time, place and angle in the cinema, plain citizens are still unreconciled with corresponding devices in painting like Cubism, which Braque above all living painters most clearly represents. The purpose of The Yellow Cloth is simply to show different, fresher and more beautiful appearances than an ordinary collection of objects on a table would possess. Braque's table is not necessarily out of perspective, since it would be possible to construct a table which would have exactly the same form. In a dining room such a table...

Author: /time Magazine | Title: Art: Carnegie Show | 10/25/1937 | See Source »

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