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Unconquerable Force. Promising as all this may sound, it becomes apparent after the first few moments that the movie is going to remain stubbornly earthbound. The effects are scanty, the drama gloomy, the philosophy of the film thick as a cloud of ozone. The plot is not all that original either. All through the seemingly ceaseless running time - nearly 2½ hours, and considerably trimmed from the Russian version - one is put longingly in mind of Forbidden Planet. A lightheaded piece of American scifi, Forbidden Planet (1956) was a genial reworking of The Tempest in which some American astronauts were...

Author: /time Magazine | Title: Cinema: Spaced Out | 12/13/1976 | See Source »

...more sentence and I knew I was finished. I had to create a diversion to facilitate my escape from the Honeymoon Hotel. I was desperate. Thousands of question marks, tiny little things, filled out into a cloud over my head. The cloud grew darker and darker until it produced a rumble and then a flash. I had it! A clever ruse to get her out of the room while I practiced my six-story leap into a waiting convertible. In a few short hours I'd be home, where my only thoughts of sex came when my mother boiled zucchini...

Author: By Peter Kaplan, | Title: Candy is randy but pasta is fasta | 12/8/1976 | See Source »

...movie's superego, inform Faye Dunaway, the ratings-mad exec who is its id, that the trouble with TV is that it reduces everything to banality. That may well be true. But at every turn Chayefsky's plot invests television with a sinister power to cloud men's minds, not through stupefying reductionism but by heated exaggeration. In short, his fable does not fit the facts observable nightly in the living room...

Author: /time Magazine | Title: Cinema: The Upper Depths | 11/29/1976 | See Source »

...first interview that he has given to discuss plans for his new Administration, Jimmy Carter talked with TIME Chief of Correspondents Murray Gart and Washington Correspondent Stanley Cloud...

Author: /time Magazine | Title: What I'll Do': Carter Looks Ahead | 11/15/1976 | See Source »

From the train depot, Gawber sees the house Hood has bombed as "a low cloud touched by fire" against the night sky. The explosion is distant, unrecognizable, a theatrical spectacular for the eyes. Gawber knows the explosion itself doesn't matter since the life is already dead. "He put his hands to his eyes," Theroux writes, "and tried to stop the tears with his fingers...

Author: By Diane Sherlock, | Title: Unreal city | 11/15/1976 | See Source »

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