Word: clouds
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CONTRIBUTORS: Bonnie Angelo, Laurence I. Barrett, Jesse Birnbaum, Nina Burleigh, Stanley W. Cloud, Jay Cocks, Barbara Ehrenreich, John Elson, Pico Iyer, Edward L. Jamieson (Consulting Editor), Leon Jaroff, Gregory Jaynes, Michael Kinsley, Charles Krauthammer, John Rothchild, Richard Schickel, Walter Shapiro, R.Z. Sheppard, John Skow, Martha Smilgis, Mark Alan Stamaty, Richard Stengel, Andrew Tobias, Claudia Wallis, Michael Walsh, Robert Wright ASSISTANT EDITORS: Ursula Nadasdy de Gallo, Andrea Dorfman, Brigid O'Hara-Forster, William Tynan, Sidney Urquhart, Jane Van Tassel (Department Heads); Bernard Baumohl, David Bjerklie, Val Castronovo, Georgia Harbison, Ratu Kamlani, Sue Raffety, Susan M. Reed, Elizabeth Rudulph, Susanne Washburn, Linda...
Some people always seem to see the good side of everything. In Harvard's cloud of illness, a few students found silver linings...
...campus, Director of the Harvard Foundation for Intercultural and Race Relations S. Allen Counter, after he had penned a letter that articulated students' concerns about the Crimson's role in exacerbating racial and ethnic tensions ("The Crimson Misinterpreted the Harvard Foundation," Opinion, April 14, 1992). In an attempt to cloud the issues, The Crimson's staff responded with an attempt at character assassination that falsely accused Counter of "anti-Semitism"--a charge recently revisited in another staff editorial ("Counter Drags the Foundation Down," opinion, Oct. 25, 1994)--and demanded that either he retract his statements or relinquish his charge...
CONTRIBUTORS: Bonnie Angelo, Laurence I. Barrett, Jesse Birnbaum, Nina Burleigh, Stanley W. Cloud, Jay Cocks, Barbara Ehrenreich, John Elson, Pico Iyer, Edward L. Jamieson (Consulting Editor), Leon Jaroff, Gregory Jaynes, Michael Kinsley, Charles Krauthammer, John Rothchild, Richard Schickel, Walter Shapiro, R.Z. Sheppard, John Skow, Martha Smilgis, Mark Alan Stamaty, Richard Stengel, Andrew Tobias, Claudia Wallis, Michael Walsh, Robert Wright...
Rothko's "Untitled (Blue, Green)," Whistler's "Nocturne in Blue and Silver, No. 1," and Feininger's "Bird Cloud" are tucked in a pristine white oasis at the heart of the exhibition. They are presented like a stage set depicting display techniques in a modern museum. The paintings, all modern and somewhat abstract in tones of blue, crystallize the value of Cultures and Contexts. They are presented on white walls without the helpful explanations, without accompanying cultural artifacts, yet carry themselves with the solitary dignity of true masterpieces. There is a rising debate in American museums about the validity...