Word: clouet
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When we come to the large group of French drawings we are at once impressed by the length of a tradition in draughtmanship. Of its several centuries five are represented here. The accomplishment of the sixteenth can be seen in aportrait by Francois Clouet, of the seventeenth in a wash drawing of landscape by Claude. The special character of the eighteenth, in attitude as in drawing is revealed in a series of red crayon studies by Watteau and Fragonard, Boucher and Greuze...
...microscopic detail and for the figure of the Child asleep. Piero's own idea, that masterpiece was one of the few the Museum could lay its hands on that it considered worthy of hanging with such possessions as Filippo Lippi's Madonna & Child, François Clouet's Elizabeth of Valois. No less choice was the head of a Greek girl in Parian marble, 4th Century B.C., which the Museum snagged in June, The Boston Museum has the only other life-size fragment in the world which critics consider comparable in style, quality and period...
...included 18 miniatures by Jean & François Clouet; 75 by the 18th Century's master miniaturist, Jean Baptiste Jacques Augustin; 56 by the British master, Richard Cosway; and one called Group of Five Persons in a Landscape said to be the only miniature ever painted by Jean Antoine Watteau. Prize of the collection is The Armada Jewel, a minuscule painting sent by Queen Elizabeth to Sir Francis Walsingham, Chancellor of the Duchy of Lancaster, for his help in outfitting the English fleet that defeated Spain. The jewel's face bears a gold relief profile bust...
...Angelico, a "Christ's Ascension" by Peter Paul Rubens. Most embarrassing loss was a "Judith" by Lucas Cranach, lent to the Museum by Sculptor Carl Milles. The other seven were a Rogier van der Weyden, a Sir Thomas Lawrence, a Romney. Van Dyck, Jean Fouquet. Francois Clouet and Bernardino Luini. Eight were from the Friedsam collection. The Van Dyck was 2 ft. by 1 1/2 ft. The rest were all about half as large, easy to handle. Total value: about...
...building had already been made. More to the point, the money was already in hand, a legacy from Stephen Salisbury III. Director Taylor concentrated on building up his museum's collection. On view last week were a portrait of Diane de Poitiers by 16th Century null Clouet; a fine El Greco; a pair of portraits by Britain's great William Hogarth; a gallery of U. S. primitive art from Worcester County; another containing excellent examples of George Inness, Winslow Homer, Albert Ryder, Ralph Blakelock. Specially borrowed for the opening was Josef Stransky's collection of modern French...