Word: clouzot
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Dates: during 1970-1979
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Sorcerer is a puzzling picture. It is adapted from the same Georges Arnaud thriller on which Henri-Georges Clouzot based his well-regarded 1953 film, The Wages of Fear (that's the one about trucking nitroglycerin over the mountains). The new movie is handsomely shot and crisply edited. Why, then, does one rather distantly respect it instead of just plain liking it? It is an odd, disappointing feeling to take away from a summertime movie...
...reachable by air and why the only available dynamite has aged into a highly volatile condition. Finally, as before, four desperate characters, men with nothing to lose, are recruited to drive the explosive by truck over a road that traverses swamps, rain forests, mountains and deserts. Unlike Clouzot, Friedkin gives us extensive biographies on three of them-an Arab terrorist, a French banker who has been caught in fraud, a small-time hoodlum who has made the mistake of robbing the parish church of a Mafia boss (during which his brother, a priest, was wounded...
CURRIER HOUSE DINING ROOM, The Wages of Fear, directed by Clouzot, April...
...Wages of Fear. French, yet a surprising commercial success in the U.S. (both with sub-titles and in a dubbed version). Henri-Georges Clouzot wrote and directed this tragedy of Latin truckers working in a South American town run by American oil interests. Suspenseful and sometimes brutal, never sentimental. 1953, Janus Film Festival. Harvard Square's festival of eminent films including Jean Renoir's best (Rules of the Game) and Sergei Eisenstein's last (Ivan the Terrible), Beauty and the Beast, Jean Cocteau's luxurious fairy tale fantasy, complements Marcel Camus's exotic myth Black Orpheus, set in Rio. Marcel...