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...Boys' lyrics and their seismic live shows, which feature goofy choreography and express-train velocity, are reminiscent of the Coasters, the great clown princes of '50s R & R. Their music, however, owes more to the hipster rhythms of Sly Stone and the blistering aggression of the punks. "People assume the way a black group would go is rhythm and blues," Kevin O'Neal reflects. "But rock 'n' roll has more avenues and more freedom. It is about rebellion and change." Adds Brian: "In one sense, our album acknowledges the white influence on black music...

Author: /time Magazine | Title: Music: The Bus Boys Are Moving In | 12/8/1980 | See Source »

Kagemusha is magnificently served by Tatsuya Nakada as Shingen and his double, the thief. Nakada has white, puffed-out sideburns, and capacious sacks beneath his beautiful liquid eyes. As Shingen they convey warehouses of wisdom; as the thief they are the befuddled eyes of a clown. Eventually the two personas merge; so powerful is Shingen's spirit that merely by acting naturally the thief begins to duplicate his actions, almost to think his thoughts. When Shingen's son, Katsuyori, eager to assume his dead father's power by exposing the double, challenges the compulsorily silent double at a large meeting...

Author: By David B. Edelstein, | Title: By Indirection | 12/6/1980 | See Source »

Reagan is our clown prince, and we are his foolish subjects. Don't look now, America, but the whole world is laughing. Maybe he deserved an Academy Award for his startling performance, but he certainly didn't deserve to be President...

Author: /time Magazine | Title: Letters, Nov. 24, 1980 | 11/24/1980 | See Source »

Beats me. But I can say this: I just Can't Stop It is a landmark album. A good place to start is with their version of the old Smokey Robinson hit, "Tears of a Clown." Just after the grand introductory riff, the Beat pitches a rhythm that is speedy, tense, seemingly out of whack. Is this Motown or is it ska? Is the bass guitar chasing the sax or is it the other way around? With truckloads of scratchy guitar work, snaky bass runs and exotic sax passages, the Beat create a sound that is soulful, dangerous, irresistible...

Author: By Mitcbell Scbneider, | Title: THE ENGLISH BEAT | 11/18/1980 | See Source »

...fail to laugh at a writer who discerns between the merely clever and the simply hilarious? A pundit who deploys verbs like "fumfering" and "obsessing," and adjectives like "guileness?" A knish of a man whose favorite characters are Tiffany and Eino Shmeederer and Sidney and Daphne Kuglemass? A clown who ridicules Plato and Kafka while laughin over the lascivious portions of Emma Bovary? Woody Allen, whose "one regret in life is that he is not someone else...

Author: By David Frankel, | Title: More Kugelmass | 10/3/1980 | See Source »

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