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Tonight at the Loeb Mainstage, two mimes will escape the abstractions of their art--plain costumes and stark white faces--to combine international and dramatic traditions in Mudhead Masks. Exploring the concept of the clown, the skits will draw from the traditions of classical mime, commedia dell'arte, and masked theater. Masks, carved by village craftsmen in Bali, are astonishing, capturing the essense of frog or the vitality of laughter. The Mudheads, Pueblo Indian clowns in the American southwest, contribute a name and a philosophy, that clowning can be both a communal and a moral experience. The performers, both graduates...

Author: NO WRITER ATTRIBUTED | Title: All the World's a Stage | 5/10/1979 | See Source »

...example, the sexual clown, the man who used to do jokes about making obscene telephone calls to a girl, "collect," has now disappeared. Isaac Davis has his troubles with women, but he presents himself as a man who has "never had any trouble finding women." At the center of the film there is his relationship with a teen-age girl daringly presented in idealistic terms, an affair the old Allen would have made a guilty joke about and passed quickly over. Now he makes some guilty jokes but stays around to explore the affair and its meaning with tenderness...

Author: /time Magazine | Title: Cinema: Woody Allen Comes of Age | 4/30/1979 | See Source »

DIED. Emmett Kelly, 80, creator of the sad-eyed hobo clown Weary Willie, whose mournful pantomime made him Ringling Brothers' biggest attraction for 14 years; of a heart attack; in Sarasota, Fla. Raised on a Missouri farm, Kelly left home at 19 seeking his fortune as a cartoonist in Kansas City. A series of jobs painting sideshow banners and Kewpie dolls drew him to the Big Top, and in 1922 he joined a small troupe as an aerialist-clown. He achieved lasting fame when he broke with the white-faced clown tradition to create the ragtag Willie, who delighted...

Author: /time Magazine | Title: Milestones, Apr. 9, 1979 | 4/9/1979 | See Source »

...other clown, Speed, played by Paul Dunn, is not so funny. Dunn speaks Shakespeare's prose like an AM radio announcer reading a Datsun ad. What is worse, Lacey has him stand at all times with his weight on one leg and the other knee thrust out at a right angle. Every line or so he shifts his weight. The effect becomes very distracting, and makes Dunn look like he needs a trip to the john...

Author: By Joseph B. White, | Title: Bad Bard in Boston | 3/21/1979 | See Source »

...Martian and Bewitched. It tells the story of Mork (Williams), an alien eggplanted, so to speak, from the planet Ork, who settles in Boulder, Colo., with a winsome ingenue, Mindy (Pam Dawber). The secret of the program's runaway success is Williams. He is not only an inspired clown but also a perfect entertainer for TV's mass audience. Mork has the innocence and enthusiasm of a toddler discovering the world. But he is one toddler who can talk. Artless, gullible, endearing, he lets the audience in on every transparent thought that whirls through his head. His rambling...

Author: /time Magazine | Title: Television: Manic of Ork: Robin Williams | 3/12/1979 | See Source »

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