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Word: clowns (lookup in dictionary) (lookup stats)
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...catch phrases ("Black is beautiful, but brown is cute") and his apologies for cussing ("Excuse me, lady, I thought you was a tree"). Says 1969 Masters Champion George Archer: "The tour is like a big circus that pulls into town once a year, and Lee is the ringmaster and clown rolled into...

Author: /time Magazine | Title: Sport: Lee Trevino: Cantinflas of the Country Clubs | 7/19/1971 | See Source »

...Broken Clown. In his film adaptation, Luchino Visconti (The Damned) pays his utmost disrespect to the original by maintaining Mann's fustian and removing his intention. In the novella, the aging Author-Philosopher Gustave Aschenbach seeks renewal in Venice. But like the fugitive with an appointment in Samarra, he finds death awaiting him. An elusive and beautiful youth, Tadzio, attracts the writer. Though he never touches his beloved, never even speaks to him. Aschenbach is rendered immobile by his platonic affair. A plague of cholera racks the city. At any time the writer is free to leave...

Author: /time Magazine | Title: Cinema: Soul Destroyed | 7/5/1971 | See Source »

...escapes. Picasso and Einstein, says Fellini in a published exegesis of the film, are Augustes. Middle-class parents are Pierrots; their children Augustes. Hitler: a white clown. Mussolini: an Auguste. Freud: a white clown. Jung: an Auguste...

Author: /time Magazine | Title: Cinema: Pierrots and Augustes | 6/21/1971 | See Source »

...14th film, like all of the maestro's visual operas, is a flamboyant search for self. This time he prowls the enchanted place of his youth, the circus, but the spectacle of childish memory is a specter to the mature man. The circus has changed or vanished, the clown acts are,diminished beyond recognition...

Author: /time Magazine | Title: Cinema: Pierrots and Augustes | 6/21/1971 | See Source »

From time to time, the camera breaks away from the center ring to inspect clowns in senescence, brittle little men who recall Falstaff's lament: "How ill white hairs become a fool." In the midst of unabashed gaiety, Fellini ushers in bitterness: an Italian lion tamer who trains his beasts in German because "it is the only human language that they understand." The film's zenith is a funeral staged con brio-the spectacular obsequies of a clown, his hearse drawn by men in horse suits, his widow a clown with pendulous breasts, the orator a grotesque...

Author: /time Magazine | Title: Cinema: Pierrots and Augustes | 6/21/1971 | See Source »

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