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...DECLINE AND FALL OF THE ENTIRE WORLD AS SEEN THROUGH THE EYES OF COLE PORTER REVISITED simmers with campy humor, and the bewitchers who stir the broth include a loony (Elmarie Wendel), a lovely (Carmen Alvarez), and a larky clown (Kaye Ballard). The little-known Porter songs are basted...

Author: /time Magazine | Title: Television, Theater, Records, Cinema, Books: Apr. 30, 1965 | 4/30/1965 | See Source »

...DECLINE AND FALL OF THE ENTIRE WORLD AS SEEN THROUGH THE EYES OF COLE PORTER REVISITED. The campy style of this revue rarely dims the conucopian delight of Cole Porter's lesser-known but invariably worldlywise, witty, and tuneful songs. Kaye Ballard, a supreme clown clowning supremely, heads an irrepressible and attractive cast of five...

Author: /time Magazine | Title: Television: Apr. 23, 1965 | 4/23/1965 | See Source »

...alcoholic trombonist, has come home to die, and that turns out to be a play-length process. The son she has cowed into seemingly submissive piety sneaks out to bars, and surreptitiously plays his father's jazz recordings. A kind of Greek chorus of Harlem harpies gibber, clown, and rummage about as if they were witnessing the fall of a discount house of Atreus...

Author: /time Magazine | Title: Theater: Tardy Rainbow | 4/23/1965 | See Source »

Never Above the Thigh. Of course, 27-year-old Mary is more than just a looker. She is toothily, totally wholesome, with an unexpected comedy accent on the ho, can convincingly range from point-winning wit to pratfalling clown. For her labors on the Van Dyke show she recently collected the Foreign Press Golden Globe Award as the best female television personality of this year. She got an Emmy last year for the same thing. The program has consistently been in the top 15 since 1962, ranks seventh so far this year. And Mary has just recently signed a seven...

Author: /time Magazine | Title: Television: How to Succeed Though Married | 4/9/1965 | See Source »

...Institute of Chicago, at the New School, and with Hans Hofmann in Provincetown. Fascinated with things theatrical, he also became head usher at the old Roxy in New York. "Part of art is showmanship," he says. He directed his own "happenings" and acted in them in clown's whiteface and ice-cream pants. Action painting was a religious faith to him for a while; once, before an audience, he performed a spontaneous painting called Fire. But the thrill of illusion proved more challenging than any pure struggle with oil paints...

Author: /time Magazine | Title: Painting: Grand Pop Moses | 4/9/1965 | See Source »

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