Word: clubbed
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Dates: during 1990-1999
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...unhappy about happiness, the Carolyn Burnhams of the world can't really make any sort of change to it. How to cope? Why, by suppressing everything inside, be it good or bad-thereby further emphasizing the emotionless tedium of yuppiedom. After all, the first and second rules of Fight Club are that you don't talk about Fight Club...
...violence; repress your IKEA-fueled angst long enough and it'll explode in your face like a computer at midnight on New Year's Day 2000. Aggression seems truly to be the key to defusing the ticking time-bomb of yuppie angst. This is obvious in Fight Club: the entire movie is centered around the premise that yuppie poster boy Edward Norton finds escape from his micromanaged world only when he is pounding someone else to a pulp with his bare hands. Everything is frenetic, violent, and rough-cut in retaliation against the stuffy conformity of yuppie existence: in this...
...anyone really care about Last Days of Disco?), Smith began a series of post-yuppie angst-noir with 1994's Clerks, a grimly hilarious movie that combined Seinfeld's inane blabber and outlandishly tragicomic situations with more angst than you could scrub out with a bar of Fight Club's Paper Street soap. After that came Mallrats and Chasing Amy, more dismally delightful chronicles of the post-yuppie malaise, all starring the director (in a requisite self-referential flourish) as the omnipresent Silent Bob. Not content with Stillman's trilogy concept, Smith has spawned an entire cottage industry with this...
...Fight Club tries to turn the same self-referential tricks as Smith's movies as an antidote to the violence of yuppie angst. The Clockwork Orange-esque rejoicing in mayhem that characterizes so much of the movie is contrasted with its many self-referential moments (without giving too much away...): the bizarre walk through the IKEA catalog; the moment when movie projectionist Tyler Durden, discussing the "change filmstrip" blip that appears on movie screens, points to the one on the screen of the movie he is in; and a final revelation about the relationship between Durden and the narrator. Unfortunately...
...Fight Club is not the first time someone has tried to grapple with yuppie angst. When the New Beetle was unveiled in 1998, the cough-drop-on-wheels was touted as the ultimate antidote to the ennui of the under-40 crowd. It was deja vu all over again: here was the "Love Bug," the charmingly rotund little symbol of all things flower-power, updated for the era of power-lunches. The folks at Volkswagen hoped to invoke the freewheeling Age of Aquarius (when most yuppies were too young or to stoned to care), making every yupster on the planet...