Word: clubness
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...Michael C. Koenigs ’09 was “assassinated” midway through his opening remarks—and saw frontrunners Andrea R. Flores ’10 and Benjamin P. Schwartz ’10 trade barbs about topics like Schwartz’s final club membership and the extent to which the UC should work with the Harvard administration. The third serious candidate in the race is Charles T. James...
...issue of the debate was Schwartz’ membership in the Fly, a final club...
...Cambridge Center doesn’t work,” asked Flores in reference to the current plan to rent out the Brattle Street space on weekend nights for social events, “would you, as a member of a finals club, be willing to open up finals clubs to the community...
...talk to me like I’m some plantation owner” “What da fuck d’ya want then?” The above dialogue sums up the first meeting between sharecropper-turned-blues legend Muddy Waters and Leonard Chess, Chicago club owner and soon-to-be head of Chess Record Label. Chess and Waters are the subjects of “Cadillac Records” from writer/director Darnell Martin. Along with a stellar cast and soundtrack, the film tells the semi-true story of Chess’s famed Chicago record label...
...album, “Universal Mind Control,” the aging rapper replaces those influences with newer artists like Kanye West and Chester French. Common’s entrance into a new crowd implies a baldly careerist effort to modernize his sound. The result is a resolutely generic club rap album entirely devoid of the musical experimentation and rhythmic virtuosity that defined Common’s early collaborators. Early in his career, Common gained a reputation for focusing on social and political issues instead of gangsterism and consumerist machismo. From the first verse of his new album?...