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Word: clydes (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Movie buffs flip when they pass him on Manhattan streets, squealing "That face! It's C.W.! Hey there, C. W. Moss!" In fact, so many people remember Michael J. Pollard's wild hair and potato face in Bonnie and Clyde that the 28-year-old actor has become the center of a pop cult. One bunch is running him for President, and a clothing manufacturer wants to put his pixyish grimace on dresses. "Can you imagine wearing my face out in public?" giggles Pollard. "Making money off my face?" He's already swamped with new scripts...

Author: /time Magazine | Title: People: Apr. 12, 1968 | 4/12/1968 | See Source »

...Picture Arts and Sciences threw in its sordid lot with the apostles of non-violence last night, naming In the Heat of the Night best picture, its star Rod Steiger best actor, and Sterling Silliphant's script best original screenplay. The chief victim of the backlash was Bonnie and Clyde, which for the sensitive members of the Academy conjured up visions of Stokely Carmichael and H. Rap Brown...

Author: By James Lardner, | Title: 'Heat of Night' Maims 'B & C' in Oscar Duel | 4/11/1968 | See Source »

...view of Pontiac's recent commercials [March 22], it is interesting to know what Clyde thought of the automobiles of the day in his own words. Enclosed is a copy of a letter written...

Author: /time Magazine | Title: Letters: Apr. 5, 1968 | 4/5/1968 | See Source »

...dusty attic of memory. Between coughing bouts, Lot recalls his Oedipalsy life with mother, and Myrtle shuffles through an account of her showgirl days with the Five Hot Shots from Mobile. The actors are uniformly admirable, and Estelle Parsons (Buck Barrow's wife in Bonnie and Clyde) is more than that as she makes of Myrtle a tender, vulnerable woman of tattered gallantry and frail flesh...

Author: /time Magazine | Title: New Plays: The Seven Descents of Myrtle | 4/5/1968 | See Source »

...latest addition to the literature, and perhaps the best, is three one-minute Pontiac commercials. One shows Bonnie and Clyde in the hands of an effervescent dealer. The gang has just pulled a bank job and needs "something that moves." The rest of the commercial is a hilarious takeoff on the scene from the movie in which the bandits kidnap a young couple. In this case, the unsuspecting Pontiac salesman merrily delivers his pitch-again to a banjo score-while Clyde & Co. barrel down the road with him. At length, they boot him out. Says the salesman, unperturbed...

Author: /time Magazine | Title: Commercials: The Bonnie & Clyde Caper | 3/22/1968 | See Source »

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