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...White Christmas" (1942), by The Drifters (1953), on "Clyde McPhatter & The Drifters/Rockin' & Driftin'." Berlin may have hated Elvis' version but, according to the liner notes for this double CD, he did approve the Drifters' doo-wop (or, rather, doot-doot) waxing when producer Jerry Wexler sent him an early copy. And why not? T he bass lead will rattle china three houses away, and McPhatter's natural falsetto manages to evoke both Billie Holiday and a child crazed by caffeine on Christmas morning. (The D's also did a nifty "Easter Parade...

Author: /time Magazine | Title: That Old Feeling: A Berlin Bio-pic | 12/30/2001 | See Source »

...song worked for girl singers (Jo Stafford, #9 in 1946), for Nashville cats (Ernest Tubb, a #7 country charter in 1949) and for black artists. The Ravens had a #9 R&B hit in 1949, and Clyde McPhatter?s Drifters climbed to #2 R&B in 1954; this version, reissued the following two years, and went to #5 and #12 on the pop charts. With the freak exception of the 1997 Princess Diana remix of "Candle in the Wind," "White Christmas" has sold more records than any song in history. It was also the last Berlin song to achieve...

Author: /time Magazine | Title: That Old Christmas Feeling: Irving America | 12/24/2001 | See Source »

...stage at the Wang Center on Oct. 15 was shrouded in black, hung with a curtain that was jaggedly pierced with holes and lit from behind. From offstage, Amos duskily murmured Eminem’s “’97 Bonnie and Clyde.” After frequently commenting in interviews that the drowned woman was invisible in the original version of the song, Amos’s implication was clear: She herself was nowhere to be found. Tension knotted the audience at each interval as they waited for her to appear, but the song ended without Amos?...

Author: By Irin Carmon, CONTRIBUTING WRITER | Title: The True Confessions of a Toriphile | 10/26/2001 | See Source »

...beginning to the end of the ?50s. The song - along with another all-timer, "Spanish Harlem" - was recorded in King?s first solo session after leaving The Drifters, a group that had been at Atlantic, with many personnel permutations, from its inception as a support staff for singer Clyde McPhatter in 1953. Since 1958, when the remnants of the original quintet were replaced by King?s group, the Five Crowns, their songs had been produced by Leiber and Stoller, in a smooth Latinate ballady groove that was new to both the Drifters (who had specialized in R&B) and their...

Author: /time Magazine | Title: Ahmet?s Atlantic: Baby, That Is Rock and Roll | 8/3/2001 | See Source »

...same words be both offensive and progressive? "The view changes depending on where you're standing," says Tori Amos. For her album Strange Little Girls, due in September, Amos reveals that she has covered 12 famous male-penned songs--including Eminem's wife-killing ode '97 Bonnie & Clyde--without changing the lyrics. The point? To expose what she sees as music's pervasive misogyny by animating men's songs from a woman's perspective. Amos says she invented and "befriended" a dozen different women (she has taken publicity photos dressed as all of them), through whom she sings tracks...

Author: /time Magazine | Title: Is This The Real Slim Shady? | 7/9/2001 | See Source »

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