Word: clydes
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...remain constant. That element is murder. Games and dance crazes come and go, but murder-and all its paraphernalia, guns and knives and rope-stays in style year after year. Remember Leopold and Loeb, Lizzie Borden, the St. Valentine's Day Massacre, the Lindberg kidnapping, Ma Barker, Bonnie and Clyde and Theodore Dreiser's American Tragedy? If not, how about Texas sniper Charles Whitman, Chicago nurse murderer Richard Speck, the Boston Strangler and Truman Capote's In Cold Blood...
Presumably she should know better. A hapless and bloody rehash of Bonnie and Clyde, Bloody Mama features Shelley as the head of a small criminal band of psychopathic wastrels, four of whom are, incidentally, her sons. There are heavy-breathing suggestions that the family that preys together plays together. Mama rewards her sons after a hard day of busting heads or robbing banks by letting one of them bunk with her for the night. The fact that everyone gets his just deserts in an insipid shoot-'em-up in the final reel will come as no surprise. Producer-Director...
Souls saved, the Fillmore faithful leaped on their seats and screamed approvingly. For a while, even Actor Michael J. Pollard (Bonnie and Clyde) was out onstage playing tambourine, until Impresario Bill Graham pulled him off by the lapels. "I didn't mind, except that he couldn't keep time," said Graham -as though anyone could have heard what Pollard was doing...
...most lauded guest of the season will be Quincy House Man-of-the-Year, Arthur Penn, who has accomplished the rare feat of spectacular success on both stage and screen. His direction of Bonnic and Clyde was a film landmark, and he has just emerged with another movie great, Alice's Restaurant. Mr. Penn's earlier film credits include The Miracle Worker. Mickey One, and Left-Handed Gun, which will be shown during the Arts Festival. No less impressive have been a stunning series of theatrical successes which include Two for the See-Saw, Miracle Worker, and Wait Until Dark...
...range of student tastes-represents a juxtaposition of conventional and more revolutionary stylistic forms, as well as an unusually broad scope in its aesthetic definition. Film-lovers will be attracted to hear Quincy House Man-of-the-Year, Arthur Penn-now famous for his innovative direction of Bonnie and Clyde, as well as his heralded Broadway accomplishments-and those interested in the more technical aspects of the cinematographic craft will enjoy Michael Ritchie's presentation, as will the starryeyed hopefuls who will undoubtedly be camped upon his doorstep...