Word: clydes
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...squabbling male lovers trying desperately to save their relationship. Beyond that, the homosexual is a special kind of antihero; his emergence on center stage reflects the same sympathy for outsiders that has transformed oddballs and criminals from enemies into heroic rebels against society in such films as Bonnie and Clyde and Alice's Restaurant...
...that it matters, but most of it is true," proclaims one subtitle. In fact, most of it is impossibly farcical. The difficulties begin precisely when the film tries to be "true" to the historical characters. On the way to a nice spoof of Bonnie and Clyde, the plot is forced into a serious vein in order to relate the demise of the real Butch and Sundance...
Their troubles seem unreal alongside the slapstick that went before. Instead of a jolting contrast between violence and comedy, as in Bonnie and Clyde, we have an annoying contrast between soap opera and farce. Violence may be akin to farce, but too much violence is confusing. The glorification of the outlaw's life, only partly tongue-in-check, also weakens the humor. The film subtly encourages the puerile anti-hero-worship it meant to spoof...
...army, not a few policemen, are moving into position around their shelter. They blithely step outside into the volleys of hundreds of rifles. It makes for a macabre but funny death scene-not so maudlin as we were led to expect-and satirizes a similar scene from Bonnie and Clyde...
...Straight ahead is a wall full of clippings from the Dallas Times-Her-old about Bonnie and Clyde. The crowd now finds out that they are like crowds in other museums: they're unselfish and patient. People crowd around the clippings, but they wait their turn. The newspapers have big pictures of the dead bodies, the bullet-riddled car, the crowds looking at the car and the bodies. The story describes it this way: "Both Barrow and the woman were instantly killed; Barrow being shot through the left temple and through the left shoulder. The Parker woman was shot through...