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Word: clyfford (lookup in dictionary) (lookup stats)
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...familiar. The courtyard was paved with familiar red brick, and the moon shone down on a five-jet fountain, holly bushes and a 40-ft. magnolia tree. But inside they found 14-ft.-high executive offices with cherry-paneled walls on which hung such moderns as Picasso and Clyfford Still. On the east and west facades were 880 huge aluminum louvers geared by a master clock to foil the sun from now until A.D. 2100. It was the museum's biggest opening night, and Director Cheek was delighted. Said he: "People came back thrilled and exhilarated. I hope...

Author: /time Magazine | Title: Art: Ole Virginny Modern | 10/13/1958 | See Source »

...been wanting it for years." The 200-odd aficionados who milled around the huge canvases at the opening rapidly began sorting out impressions. Jackson Pollock was the most important, they decided. Mark Rothko's shimmering panels of color were their favorites, followed by the works of Clyfford Still (TIME, Nov. 25), Franz Kline, Philip Guston. Sam Francis. The qualities most admired: "furious vitality," "unbiased liberty," "a renovating spirit." Cried Critic Eduardo Cirlot: "The most important show that Spain has seen in the last 25 years. There's no doubt that American artists are the vanguard of the world...

Author: /time Magazine | Title: Art: American Abstraction Abroad | 8/4/1958 | See Source »

...1930s, when San Francisco artists were caught up in Diego's own on-the-spot enthusiasm for filling vast wall surfaces with frescoes. Symbolic of what she calls "the incredible years of 1947 to 1949, when this wave of something new swept over us," was the big Clyfford Still abstraction by the man who, along with Mark Rothko, sparked San Francisco's abstract art revival ("And don't think I wasn't baffled by them at first," she admits). Henry Moore's carved-wood Reclining Woman stood as symbol of her unceasing effort to bring...

Author: /time Magazine | Title: Art: 23 Years of Grace | 7/14/1958 | See Source »

Among the buyers flocking to Manhattan galleries is a new and growing breed: European dealers and collectors bent on buying U.S. moderns. In recent months London's venerable Arthur Tooth & Sons has bought works of Pollock, Clyfford Still, Guston and Baziotes. Rome's Tartaruga gallery picked up paintings by James Brooks, Ad Reinhardt, Donati, Marca-Relli, Rothko and Franz Kline. Still others have been shipped to Paris...

Author: /time Magazine | Title: Art: Boom on Canvas | 4/7/1958 | See Source »

...have a small duplicate of Clyfford Still's Red and Black painting in my studio. I created it when I spilled some cadmium orange on my linoleum tile floor. I will be happy to sell...

Author: /time Magazine | Title: Letters, Dec. 16, 1957 | 12/16/1957 | See Source »

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