Word: clytemnestras
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...prophet Calchas has told King Agamemnon that the thousand ships becalmed in the harbor at Aulis will receive no favoring wind to retrieve Helen and ravage Troy unless he makes a blood sacrifice of his daughter Iphigenia. With passive fatalism, Agamemnon sends a duplicitous letter to his wife Clytemnestra asking her to bring Iphigenia to Aulis on the pretext that she is to be given in marriage to Achilles, supreme hero-in-arms...
...Greece. Achilles (Mike Gwilym) warns that the troops are restive and mutinous after the long delay. Affected by his brother's torment, Menelaus suddenly shifts his adamant position and suggests giving up the entire expedition to Troy. But the fates have decreed otherwise; Iphigenia (Judy Buxton) and Clytemnestra (Janet Suzman) have arrived...
...Iphigenia in Aulis, which begins this cycle, there are three pitch points. The first comes as Agamemnon reasons with his daughter about the need for her death. Shrapnel sensitively conveys the deep inner anguish of a man torn between duty to his country and love for his child. As Clytemnestra, Suzman moves through a parabola of feelings, marking her again as one of the finest actresses on the English-speaking stage. And as Buxton reaches the heartbreaking conclusion that the one life she has to give for Hellas is the noblest life to have lived, she radiates a great...
...respectfully into two lines, as Agamemnon and Menelaus ride through. Suddenly, a man keels over in the path of the horses. He is duly removed. This is to show you how hot it is. Or take the scene in Argos, when a messenger delivers the letter from Agamemnon to Clytemnestra. She leans out, over the beautiful mountains, and calls, "Iph-i-gen-ia!" (Echo: "Iphigenia, Iphigenia.') The camera zooms down the mountain, music swelliing, Iphigenia whirling around into the frame, arms outstretched, and suddenly we are in the midst of The Sound of Music. Cacoyannis also enjoys choreographing heads...
Irene Papas as Clytemnestra could never be glowering passion, a force of will that can crush her hysterical husband and, when driven, explode into she literally raises a standstorm. The final shot in her husband, practically whispering, "Just wait Costa Kozakos is a weakling caught between his fierce ambition and festering conscience; the actor, of the man, his impotence, with remarkable pathos. Carras's Menelaus, a weasely little fellow who can nonetheless rouse himself to noble, if ineffectual inch a Greek hero, from his physical splendor to that touch of reckless, defiant pride...