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...Some see another way to harness the energy of the youth movement. Ruth Kattumuri, a co-director of the Asia Research Center at the London School of Economics, encourages Western Tamil youth to promote peace and development in Sri Lanka, including creating more opportunities for Tamils by teaching them skills or helping provide medical care. "They can raise the resources they need to go there and work on rehabilitation and education," Kattumuri says, instead of seeking out media opportunities that she says promote violent images of rowdy protestors. "It's about creating projects, which gives them employability. That...

Author: /time Magazine | Title: War's End Hasn't Stilled the World's Young Tamil Voices | 7/1/2009 | See Source »

...both fine art and commercial design - has been generated mostly by returning Dubai natives keen to reproduce cultural scenes they experienced while working or studying abroad. "When I came back to the city, I noticed no one was doing anything with the talent that existed here," says Sunny Rahbar, co-director of the Third Line gallery, one of the first spaces to exhibit local and regional artists. Within months of the gallery's September 2005 inaugural show, Christie's held its first auction in Dubai - bringing in $8.5 million - and the Art Dubai fair was established. (See 10 things...

Author: /time Magazine | Title: More Than a Mall: Inside Dubai's Growing Art Scene | 6/24/2009 | See Source »

...Center stemmed from an administrative push to increase the presence of the arts on the Harvard Campus. “At the time, Harvard did not have much for actual, working, creative activity,” said Eduard F. Sekler, Osgood Hooker Professor of Visual Art, Emeritus and former co-director of the Carpenter Center...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Making Room for Art | 6/1/2009 | See Source »

...school would become too pre-professional. “There was a lingering suspicion about teaching people the importance of practicing these arts as ways to gain knowledge of the world,” said Robert G. Gardner ’48, former Coordinator of Light and Communication and co-director of the Carpenter Center. Drama was subject to the same scrutiny. “Traditional faculty feared that this was the first step on the road to perdition,” said Joel F. Henning ’61, former President of the Harvard Dramatic Club...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Making Room for Art | 6/1/2009 | See Source »

...sketch, made back in '04, suggested another droll innovation at Pixar, a studio proud of taking risks in a traditional genre; mean and old are words rarely attached to the main character in an animated feature. But Docter, 40, who'd done the 2001 Monsters, Inc., and his co-director and co-writer Bob Peterson didn't want just to have fun with the elderly gent. They would send him and the audience on a journey in two new directions: penetratingly inward and exaltedly...

Author: /time Magazine | Title: Up, Up and Away: Another New High for Pixar | 5/28/2009 | See Source »

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