Word: co-written
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...such tasteless license can come some of the best comic writing in the country. Four years ago, O'Rourke and Kenney edited the Lampoon's most successful publishing project to date (1.6 million copies sold): the 1964 High School Yearbook Parody. A precursor of Animal House (also co-written by Kenney), this work was a replica of a second-rate school annual, right down to the pushy ads for local merchants and the classmates' autographed cliches in the margins. The book is so rich in social detail that it brings a whole fictional town, Dacron, Ohio...
...continues further along into the neon netherworld explored in his first major album. Zevon sings songs of madness and delight, all about spies and mercenaries, traitors and lost lovers, spooks, werewolves and other halfway creatures of the night. Quite characteristically, his "excitable boy" shows up in the title cut (co-written with Marinell) transformed into a raging madman, whose exploits are chronicled with sardonic relish...
...Reeves. The Voice, besides press critic Cockburn, probably the best of his ilk since A. J. Liebling, printed Nat Hentoff, Ken Auletta, and Robert Christgau, probably the best pop music critic around. Andrew Sarris is arguably the best film critic in America. And "The Greasy Pole," a political column co-written by Cockburn and James Ridgeway, provides some of the best leftist commentary on American politics today. It's hard to see these people being coddled by Murdoch, a bottom-line guy, the way they were by Felker...
...Wind from the East, co-written by Godard and Danny Cohn-Bendit, has three sections. The first is a kind of Third World Western in which we are presented with seven episodes in class war: strike, choosing of a delegate, the militating of active minorities, an assembly in which the composing of the rest of the film is discussed, repression, an active strike followed by the introduction of a police state. The second part is an extension of the ongoing criticisms of the first; the narrator says: "Okay, from a real movement you made a film...
...years, at his ranch in California, Bennett has smarted at the growing legend that he was the evil genius behind everything that was criticized in the old Ford regime. Last week, in a 25? paper book entitled We Never Called Him Henry, co-written by Free-Lance Writer Paul Marcus, tight-lipped Harry Bennett finally broke his silence, explaining: "I want to try to set the record straight." Nobody but Bennett knows how straight his version of the record is (several publishers in Manhattan were afraid to publish the book). In putting his best foot forward, Bennett freely knees...