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Word: co (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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...that to be a scientist or a mathematician requires thinking and problem solving and so on. But a lot of people assume the arts are just a matter of inspiration, or God giving you a message, or primarily about emotions,” says Howard E. Gardner, a former co-director and one of twelve Principal Investigators of Project Zero, a research group at the Graduate School of Education...

Author: By Daniel K. Lakhdhir, CONTRIBUTING WRITER | Title: Project Zero Returns to Square One of Artistic Education | 11/6/2009 | See Source »

...program in Trento, Italy was organized by Alfonso Caramazza, a professor of psychology and co-director of the Mind, Brain, and Behavior Interfaculty Initiative. “The idea was to create a program that would be interesting for students who are excited about biology and the brain but also about the mind,” says Caramazza...

Author: By Alissa M D'gama, CONTRIBUTING WRITER | Title: Neurobiology Looks To Shed Light On Vision, Art | 11/6/2009 | See Source »

...telling the story of one man’s struggle to prevent his own history from “lapsing into oblivion,” and metaphysical, in challenging our assumptions about the linear nature of time. Perhaps, says Austerlitz, “all the moments of time have co-existed simultaneously… past events have not yet occurred but are waiting to do so at the moment when we think of them...

Author: By Grace E. Jackson, CONTRIBUTING WRITER | Title: A Haunting Magnum Opus | 11/6/2009 | See Source »

...then proceeded to recruit a host of choreographers and dancers of an artistic caliber befitting the Mainstage’s prestige. Walker and co-director Merritt Moore ’11 commissioned professional choreographer Josie Walsh, whose work blending commercial dance with ballet and circus arts has electrified the Los Angeles dance scene, to create an original piece for the company...

Author: By Monica S. Liu | Title: Pointe of Departure | 11/6/2009 | See Source »

...Co-performer Samantha C. Cohen ’12 (who is also a comper on The Crimson’s arts board) echoes this sentiment, citing the value of bonding with fellow dancers, working with world-class choreographers and staging state-of-the-art performances. “It can definitely get a little stressful during intensive rehearsals, especially... as it gets closer to performance time,” she says, “but in the end, those are the amazing experiences that we get to share as a company...

Author: By Monica S. Liu | Title: Pointe of Departure | 11/6/2009 | See Source »

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