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Aside from the proudly displayed photo of herself as a toddler in a Best & Co. coat, Gregg Renfrew's New York City office isn't what one might expect for the CEO of a company that prides itself on traditional Fair Isle sweaters and wool toggle coats. Think modern orange Eames chairs and a big red lacquer table. Renfrew, 38, officially joined Best & Co. in January (she had previously done consulting work there), but has already taken steps to solidify its status as the top tier of the fast-growing high-end children's-wear business...

Author: /time Magazine | Title: Betting on Best & Co. | 12/6/2006 | See Source »

...early version of ready-to-wear. In 1850, when Brooks' sons took over the family business, they changed the name to Brooks Brothers, with the Golden Fleece as its trademark. By 1865 the brand had already firmly established its place in U.S. history: Abraham Lincoln wore a Brooks Brothers coat to his second Inauguration?and was wearing it again the night he was assassinated. Later, Charles Lindbergh celebrated his famous flight in a Brooks Brothers suit, and Clark Gable frequently placed custom orders. The brand was popular in academic institutions as well, and the polo coat became the uniform...

Author: /time Magazine | Title: Buttoned Up | 12/6/2006 | See Source »

...like 2.8 million people a year, can view a dry-cleaning receipt with the original lyrics to Coat of Many Colors. Not for you? Well, this 160-acre Tennessee spread also has rides...

Author: /time Magazine | Title: Enter The Fandom | 12/3/2006 | See Source »

...against Iraq would not have received public or congressional support. When you're talking about war and you have no concept of anyone being lost in your family or your community, then it's human nature to be more prone to say, "Let's fight, I'll hold your coat." I'm serious about it. As of now, I would be satisfied to have a discussion...

Author: /time Magazine | Title: 10 Questions for Charles Rangel | 12/3/2006 | See Source »

...confusing. In the next room lies the fantastical world of true Paris couture, with pieces from designers Azzedine Alaia and John Galliano. These are the clothes that no one would ever wear, save the misguided celebrity or mega-rich socialite.Case-in-point: a voluminous black coat of brushed Mongolian goat fur and leather bustier by Alaia. Galliano’s French Revolution-inspired collection for Dior is even more theatrical: Dramatic red coats with oversized collars and giant belts stand against a mirrored red background.The last room of the exhibit is the only one that truly delivers, featuring three heavyweights...

Author: By Claire J. Saffitz, CONTRIBUTING WRITER | Title: Boston Tries To Be Fashion-Forward | 11/30/2006 | See Source »

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