Word: coatings
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Dates: during 1950-1959
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...that time, the subcommittee had a guard on the door, in the person of Staffer Stephen Angland, to prevent Schwartz from taking any more of its property. Schwartz raised his arms above his head, turned to newsmen and cried: "These newspapermen are witnesses that I am taking only my coat, scarf and hat. May I take my wife's photograph from my desk, or this chocolate bar, which is a present for my five-year-old son?" Said Angland: "Please get out of here." Shrieked Schwartz: "I'll sue you if any of my personal property is missing...
Clad in floppy hospital coat and pants, Airman Donald Gerard Farrell grinned, "Well, here goes," and clambered into a weird contraption at Texas' Randolph A.F.B. It looked like a home furnace -3 ft. wide, 6 ft. long, 5 ft. high-encrusted with tanks, pipes and electric cables. It was firmly anchored to the concrete floor, but it was the Air Force's closest approximation to the type of cabin in which a man might solo into outer space. Airman Farrell, 23, Manhattan-born son of a Wall Street accountant, was to make a seven-day simulated trip...
...white lead used by old masters to lighten their pigments) absorb X rays in varying amounts, thus producing on a negative a revealing shadowgraph. To the trained art scholar's eye, an X ray of a painting can often reveal its whole history, from the first unseen priming coat the artist put on the canvas, through the artist's corrections and overpainting, to the final surface that meets the gallerygoer's eye. Last week two questions that have long been debated by art scholars were answered...
Often there in her shadowy world is the woman who created it, Sculptress Louise Nevelson, 57. Wrapped in a heavy black wool coat, she waves a nervous hand at the shapes and explains: "This is the universe, the stars, the moon-and you and I, everyone." (The one in the show's title refers to the viewer.) Pointing to a wall of narrow and squat open boxes rhythmically jammed with wood bits of all shapes, she says: "This is Cathedral in the Sky, man's temple to man. And over there is the Moon Dial, the clocking...
...alternative. Nothing cou'd be more Germanic than these fifteenth century prints. Even if Durer and his contemporaries hadn't the horrors of Kaiser Wilhelm and the Third Reich to motivate them, they found substance for equally dramatic expression in the Apocalypse, the Christ passion, or even in a coat of arms of death...