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Agreeing with Bayh's analysis, Richard E. Neustadt, Littauer Professor of Public Administration, said yesterday, "The Reagan coat tail effect was the primary force behind the Republican success in Congress...

Author: By Paul M. Barrett, | Title: Reagan's Sweep Boosts GOP on Hill As Republicans Take Control in Senate | 11/6/1980 | See Source »

...with Bayh's chances. The charges of liberalism--a term Quayle and company speak in the tone of voice Americans usually reserve for Bolshevism--probably will not destroy Bayh. But if the GOP presidential candidate carries Indiana by more than 350,000 votes... this is a coat-tails prospect Bayh's backers do not care to discuss...

Author: By William E. Mckibben, | Title: An III Wind Doth Blow | 11/3/1980 | See Source »

...town meeting, where he often sheds his coat and really mixes with the people, is Jimmy Carter at his best. The more such sessions he holds-he has had 26 since coming into office and nine since Labor Day-the better he becomes. He likes getting ideas across directly, without having them filtered by television and the press, which he believes is bitterly antagonistic...

Author: /time Magazine | Title: Nation: Coming to Grips with the Job | 10/27/1980 | See Source »

...Hallett, 1785, usually known as The Morning Walk, is one of these: two peach-skinned 21-year-olds, dressed to the nines in their formal finery of velvet, taffeta, filmy silk and crisp ribbons, adored by the animal kingdom in the shape of a fluffy white dog (whose exuberant coat mimicks the finesse of his mistress's clothes), strolling in their idealized park. Its rhymes between nature and culture-particularly in the similarity between Gainsborough's handling of the wife's gauzes and of the foliage of the background trees -suggest an unforced series of transitions from...

Author: /time Magazine | Title: Art: Laureate of the Ruling Classes | 10/27/1980 | See Source »

...influence of cubism, let alone abstract art, although one might be able to detect some remote Fauve echo-perhaps through Albert Marquet, whose work he saw in Paris-in Hopper's fondness for relieving a low-toned background with a sudden distant poke of primary color: a coat, a flag or the red side of a brick chimney...

Author: /time Magazine | Title: Art: The Realist at the Frontiers | 10/6/1980 | See Source »

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