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...dead black hen, and a mosquito net still hanging on one end from an upright beam. On another street, relief crews tugged at the corpse of a dead nurse, buried under her blasted dispensary. An old man stood amid the ruins of his home, mechanically putting on his coat and taking it off as though the simple ritual might restore his past...

Author: /time Magazine | Title: THE WAR: Nixon's Blitz Leads Back to the Table | 1/8/1973 | See Source »

...seminar called Music 180 was 30 minutes into its dissection of Stravinsky's Sonata for Two Pianos when the door flew open and a 5-ft. 8½-in. whirlwind spun into the room, flung a fur coat onto a chair, affectionately pinched the cheek of Professor Leon Kirchner and subsided into a sitting position on the floor. It was "retired" Superconductor Leonard Bernstein, now 54, making his rounds at Harvard as the new Charles Eliot Norton Professor of Poetry...

Author: /time Magazine | Title: Education: Professor Lenny | 12/25/1972 | See Source »

...acting more like a befuddled sheep dog than a crafty bloodhound, Columbo (Peter Falk) sets to work. The viewer works with him, wincing, sighing and occasionally sitting up in excitement as Columbo stumbles step by step to the tiny flaw that will unravel the murder's protective coat...

Author: /time Magazine | Title: Show Business: Viewpoints | 12/18/1972 | See Source »

...mood of surrender sets in, however, some oddly irrelevant thoughts may occur. In one case, a University of Michigan student was thrown from a careering car and sent rolling head over heels down the highway. Certain that he would be killed, his immediate concerns were for his new coat (which he could see ripping as he rolled) and the Michigan football team, which according to the car radio was losing to Minnesota. In another case, a child of eight slipping off a cliff was afraid he would lose the new pocketknife his father had given...

Author: /time Magazine | Title: Behavior: The Pleasures of Dying | 12/4/1972 | See Source »

...with new angles until perspective exposes the banality of his subject. This is tinplate Godard, confusing instead of intellectually surprising. Take for instance, the scene of David's train arrival. He steps onto a deserted platform and confronts a raucously singing spike-heeled floozy who throws open her fur coat to reveal a chintzy Miss America costume. Then four creatures who look like skid row relics show up with battered horns and even more battered music. Not only is it imitative of Fellini, but it is totally irrelevant...

Author: By Emily Fisher, | Title: Marvin Gardens | 11/28/1972 | See Source »

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