Search Details

Word: cobain (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...hotbed of technological advancement. Spawned from the do-it-yourself indie scene—dominated at the time by riot grrls, anti-establishment students and angry white Gen-Xers—grunge was solidified as a genre by dirty slackers Mudhoney and the magnetic caterwaul of Soundgarden. In interviews, Cobain presented himself as the posterboy for grunge: Filthy, seemingly apathetic, and disillusioned with society, using music as a respite untainted by society’s stamp of approval. Cobain would claim in interviews that he traded valuable antique guns for his first guitar, that his lyrics were not about anything...

Author: By Thalia S. Field, CRIMSON STAFF WRITER | Title: Serving the Servants: A review of Charles R. Cross's _Heavier Than Heaven_ | 9/14/2001 | See Source »

...Kurt Cobain and Nirvana were to the Olympia indie-cum-grunge scene what Malcolm McLaren and the Sex Pistols were to punk rock—what began as an esoteric musical offshoot of political turmoil (in the case of punk, economic and social turmoil in late-1970’s Britain; in the case of indie, rebellion against traditional gender roles in music and disdain towards the mass marketing of an art form) was deliberately sold as bandwagon rebellion. As Bart Simpson said while the Smashing Pumpkins played in front of him at Lollapalooza, “making teenagers depressed...

Author: By Thalia S. Field, CRIMSON STAFF WRITER | Title: Serving the Servants: A review of Charles R. Cross's _Heavier Than Heaven_ | 9/14/2001 | See Source »

Cross, through repeated, systematic analysis of his subject’s words and actions throughout his life, proves that Kurt Cobain was truly different from Sid Vicious—that despite his claims at the end that he could not handle fame, what Cobain truly despised was the increasing lack of control over his art and his life that accompanied Nirvana’s rise to superstardom...

Author: By Thalia S. Field, CRIMSON STAFF WRITER | Title: Serving the Servants: A review of Charles R. Cross's _Heavier Than Heaven_ | 9/14/2001 | See Source »

...upon the day of his performance Cobain “acted as if it were an inconvenience to get out of bed,” making the calculated decision to refuse the limo ride to NBC and wearing the same torn, unwashed outfit onstage from the previous two days. Cobain’s overdose followed an argument with NBC officials over what he considered to be a compromise of his plans—the band were required to play “Smells Like Teen Spirit,” the hit single they were sick of playing. Each subsequent overdose/suicide...

Author: By Thalia S. Field, CRIMSON STAFF WRITER | Title: Serving the Servants: A review of Charles R. Cross's _Heavier Than Heaven_ | 9/14/2001 | See Source »

...going to be a superstar musician, kill myself and go out in a flame of glory.” Still, what is most telling of Cobain’s desire for complete control was his approach to making music. As a child, Cobain insisted on taking guitar lessons and practiced diligently despite his later rehearsed claims to journalists that he disliked practicing and authority. Upon Cobain’s insistence, Nirvana went thorough a bevy of drummers before accepting the talented Dave Grohl as a permanent member, but was talking of firing Grohl towards the end of the band?...

Author: By Thalia S. Field, CRIMSON STAFF WRITER | Title: Serving the Servants: A review of Charles R. Cross's _Heavier Than Heaven_ | 9/14/2001 | See Source »

Previous | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | Next