Word: cocke
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Dates: during 1960-1969
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...must remake the concert with his image. And it's hard to maintain the tempo of abuse that we demand of him, even with all our fantasies riding on his every move. After all, someone in the MC5 took a shit on stage in Seattle; Morrison whipped his cock out in Florida. What else can a poor boy do? At the Boston concert the Stones' MC invited the mob to rush the stage, perhaps unsure of whether Jagger merely whirling his belt around could have done it on his own. Arrogance, the signature of the Rolling Stones, does not come...
...setting is a graveyard. The event is a funeral for a man named Cock Certain. It is a starry night, and four sad people have gathered to say goodbye to the man who breathed life into them all. These people- called Miss Indigo Jones, Robin Breast Western, Filigree Bones and Fibber Kidding- cannot agree on any specific facts concerning their dearly beloved, but that doesn't matter. What does matter is what they do agree on: It is all no use. No use to go on living in a world where all we can wait for is the inevitable senseless...
...Noon. however, is not the bill's climax-it is Leonard Melfi's concluding Night that is the outstanding offering. Void of the earlier comedy. Night is set in a graveyard where the four corners of America have gathered to mourn the death of the enigmatic Cock Certain. Like the impoverished Italians of Pasolini's Teorama these Americans seem to be struggling, each to possess alone the memory of Cock Certain, perhaps their Christ, perhaps their Satan, surely their source of life. Their struggle though is ultimately a dance of death, as yet another enigmatic figure, a man dressed...
...house where the cock is silent and the hen makes all the noise." So clucks a resident of Santa Vittoria, summarizing the marriage of the Bombolinis, Italo (Anthony Quinn) and Rosa (Anna Magnani...
...elegant abstraction or the witty sophistication of Princess X, a subtly phallic take-off on the society-portrait bust. In his native Rumania, Brancusi had been trained as a cabinetmaker, and when he worked in wood, he could express himself with peasant vigor. The jagged forms of The Cock, shown here in bronze, were originally carved in wood, concentrating the character of the barnyard bully into his aggressive beak and flaring tail feathers. Sidney Geist, author of the leading study of Brancusi's work and guest curator of the current exhibition, puts the matter succinctly: "Enviable in its scope...