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...COCK-A-DOODLE DANDY is a Sean O'Casey play that, with its zany unconcern with sequiturs, probabilities or dramatic ps and qs, has rarely been staged during the 20 years since it was written. The players of the APA Repertory Company make this blast at what O'Casey felt was wrong with Ireland into a rollicking, rumbustious piece of theater...

Author: /time Magazine | Title: Television, Theater, Cinema, Books, Fiction, Nonfiction: Feb. 7, 1969 | 2/7/1969 | See Source »

Today's playgoers are not so likely to be put off by Cock-A-Doodle Dan dy's zany unconcern with sequiturs, probabilities or dramatic...

Author: /time Magazine | Title: Repertory: A Rooster for the Phoenix | 1/31/1969 | See Source »

Playwright Sean O'Casey was an ag ing angry young man in the '20s when he wrote Juno and the Paycock and The Plough and the Stars. He was an angry old man of 69 when he wrote Coclc-A-Doodle Cock-A-Doodle the play he called his favorite. Audiences and producers have not generally agreed with his assessment; the play has rarely been staged during the 20 years since it was written, and its runs have been short...

Author: /time Magazine | Title: Repertory: A Rooster for the Phoenix | 1/31/1969 | See Source »

...first character onstage is a bird -The Cock, magnificently plumed and wattled by Costume Designer Nancy Potts, and played by Barry Bostwick with impudent elegance. The Cock, said O'Casey, represents "the joyful, active spirit of life as it weaves a way through the Irish scene," and it spreads terror among the crabbed codgers and priest-ridden puritans of the countryside. They quail from its presence and blast at it with guns. Still, The Cock bewitches a high silk hat and a bottle of John Jameson, and rips to shreds the vestments of a priest who tries to exorcise...

Author: /time Magazine | Title: Repertory: A Rooster for the Phoenix | 1/31/1969 | See Source »

...maid-are delighted with this "saucy bird." O'Casey saw the repressed and persecuted Irish female as the repository of all that was open and joyous and life-loving in his native land. The conflict between them and the naysaying, money-hungry men is the essential drama of Cock-A-Doodle Dandy -with Protestant O'Casey's pet hate, the Roman Catholic Church, as archvillain. In the end, the women are roughed up and driven away to find "a place where life resembles life more than it does here," and the play ends in a mood...

Author: /time Magazine | Title: Repertory: A Rooster for the Phoenix | 1/31/1969 | See Source »

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