Word: coco
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Dates: during 2000-2009
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...them in my life, dogs in particular. I just find them endlessly interesting and funny and moving. In the Al Jolson story, the first story I wrote, I had followed ape language experiments for many years—I just was interested in them. And I got to meet Coco in California many years ago, the gorilla who was taught sign language and that was a truly life-changing experience, sitting down with this gorilla who could communicate with me. Yeah, it was extraordinary. So, I’d heard about this story years before I even started writing...
...Moore's cinematic stimulus plan rolls out in full next weekend. Bright Star, Jane Campion's moony tale of the doomed poet John Keats and his soul mate, Fanny Browne, expanded to 130 screens and earned a hearty $682,000 from lovers of sentimental art-house fare. And Coco Before Chanel, one of three biopics of the couturier to be released in theaters or on DVD this year - this one starring Amelie's Audrey Tautou - had a moderately glamorous debut, with $177,000 in five boutiques...
...phrasing is interesting in that it makes Chanel the woman sound like a good suit. Later, when Boy asks Etienne if he can "borrow" Coco for a few days, the way you'd ask for the loan of a sweater, our hearts sink for her. Any happiness she has seems likely to be fleeting, but he, like so much else in the film, is a provider of inspiration. His shirts, his pajamas, his own elegance will eventually be reflected in her clothing. They are emblems of him, but also hold pieces of her past; her simple life of poverty...
...Those who love fashion will be intrigued by this, at least to a point, after which Coco Before Chanel starts to feel like witnessing a sponge at work in the act of absorption. That's not generally the stuff of compelling cinema. We prefer the end results of a personal education rather than the acquisition of it. If Project Runway were about the formation of the designers' sensibilities rather than the creative execution of that sensibility, would anyone watch? This automatically puts Fontaine's film at a disadvantage, and the truly enigmatic nature of her subject only compounds...
...realize you don't have "it," that you imitate but don't emulate. Tatou in Chanel's beloved sailor shirt doesn't have "it" either, as much as you want her to. This is not her fault; this odd, nearly undefinable gift can be fostered, as we see with Coco herself, but not if you weren't already born with something that goes beyond grace or physical beauty. If it could be bottled, one wonders, would such a thing smell like Chanel...