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Just her name was enough to define a pair of shoes, a hat, a pocketbook, a suit, perfume, jewelry-an entire look. It conveyed prestige, quality, impeccable taste and unmistakable style. It was a sign of excellence. Coco Chanel had no patience, and too much talent, for anything less. By her death last week at 87, the French couturière had long since established herself as the 20th century's single most important arbiter of fashion...

Author: /time Magazine | Title: Modern Living: Chanel No. 1 | 1/25/1971 | See Source »

...funk. Stapleton's hysteria is totally convincing, though she speaks in a peculiarly strident and monotonous voice. The unfailingly attractive Betsy von Furstenberg seems to be reciting her lines rather than delivering them. Lombard is most felicitously cast as the homosexual actor and is uncannily reminiscent of James Coco in Last of the Red Hot Lovers...

Author: /time Magazine | Title: Theater: Comic Tearjerker | 12/28/1970 | See Source »

...Broadway might do to Lolita. At any rate, this time Nabokov decided not to be a party to the adaptation himself. He waived script approval, though he did retain veto power over the choice of the adapter and composer. As it happened, Librettist Alan Jay Lerner (My Fair Lady, Coco) was at that very moment inquiring about Lolita. Nabokov, who had never seen a Lerner musical, listened to some of the original-cast albums, met him, and was satisfied. "Mr. Lerner," he said, "is most talented and an excellent classicist. If you have to make a musical version of Lolita...

Author: /time Magazine | Title: Show Business: Profit Without Honor | 12/21/1970 | See Source »

...trust Lerner." (Presumably, Coco Chanel also trusts Lerner.) The title role, naturally, is far more ticklish. The novel described Lolita as a "mixture of tender dreamy childishness and a kind of eerie vulgarity." And, as Humbert said, "you have to be an artist and a madman with a bubble of hot poison in your loins and a super-voluptuous flame permanently aglow in order to discern by certain ineffable signs the little deadly demon among the wholesome children...

Author: /time Magazine | Title: Show Business: Profit Without Honor | 12/21/1970 | See Source »

...then in the late 1950s, led the way with fashions featuring plunging necklines, fitted waists and belled skirts. By then, Ricci was also known for sensuous perfumes, but the unpretentious Mme. Ricci all the while maintained a low profile that made her the antithesis of her headline-making contemporary, Coco Chanel...

Author: /time Magazine | Title: Milestones: Dec. 14, 1970 | 12/14/1970 | See Source »

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