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Word: cocteau (lookup in dictionary) (lookup stats)
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This prodigious output has long since made the author a millionaire. Simenon's house at Epalinges, a small Swiss village near Lausanne, has 26 rooms, 21 telephones, portraits of its owner by Buffet, Vlaminck and Cocteau. But the house is more important as a mark of contentment for the Liège-born Simenon, who shares it with Second Wife Denise, their three children and a livery of servants. Previously, his restlessness pushed him for varying periods into 30 residences around the world as well as into a sloop on which he cruised through Europe. Simenon even...

Author: /time Magazine | Title: World: A Happy 200th to Simenon | 3/14/1969 | See Source »

THIS consciousness, which has as antecedents such early avatars, as Jean Cocteau, Dada, Joyce, and the Marx Brothers, is to say the least, playful. All art is, of course, to some extent, playful, or draws on elements of the mind that serious people don't take seriously, but these artists are more playful than most. A gallery instillation that has you walk down a long dark tunnel to confront a white painting with the words You Are Here neatly lettered in black, certainly is more playful than the Sistine Chapel. (It was done this summer in London by John Lennon...

Author: NO WRITER ATTRIBUTED | Title: The Beatles | 10/1/1968 | See Source »

Such quaint language endures in the movies from the '30s and '40s that unreel on television with the steady persistence of an arterial throb. Ranging back to the baby talkies, late-show films represent what Jean Cocteau called the "petrified fountain of thought." Ghosts of America's past, they evoke the naivete, exuberance-and problems of a simpler society. To middle-aged Americans, they can also be embarrassments with commercials. Did the public truly love those painful Blondie pictures so much that Hollywood made 28 of them? How did Turhan Bey ever become a star? Did anyone...

Author: /time Magazine | Title: Essay: THE LATE SHOW AS HISTORY | 6/28/1968 | See Source »

...reason for this celluloid explosion is the widespread conviction among young people that film is the most vital modern art form. Jean Cocteau believed that movies could never become a true art until the materials to make them were as inexpensive as pencil and paper. The era he predicted is rapidly arriving. Students can now make a short film for as little as $25, and a workable 16-mm. camera can be had for as little as $40. McLuhan-age educators, moreover, welcome this form of creative endeavor. Some foresee the day when film training will be an accepted...

Author: /time Magazine | Title: Trends: The Student Movie Makers | 2/2/1968 | See Source »

CAMERA THREE (CBS, 11-11:30 a.m.). "Lucien Clergue, the Photographer as Poet" presents Clergue himself, friend of Picasso and Cocteau, and a collection of photos of his native Camargue in the south of France...

Author: /time Magazine | Title: Television: Jan. 5, 1968 | 1/5/1968 | See Source »

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