Word: codgers
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Dates: during 1970-1979
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Ratso Rizzo, the crippled hustler of Midnight Cowboy. The grizzled old codger of Little Big Man. The myopic counterfeiter of Papillon. The eager virgin of The Graduate. Carl Bernstein of All the President's Men. Dustin Hoffman has played them all in a career of dazzling virtuosity. But in Kramer vs. Kramer, he has assumed perhaps the most difficult persona of all: Dustin Hoffman...
...Found-Land is in some ways even more of a trifle than Dirty Linen--it's essentially two monologues, one delivered by a senile minister about his youthful meeting with Lloyd George, the other by a young civil servant about his dreams of America. John Straub as Bernard, the codger, steals the show with simple, somnolent nods of his head--a note of comic understatement other members of BARC could learn from...
...affected prose and naive Freudianism. Exotic Chinese and Africans are used as backdrops. Sensual women can be picked out from a crowd by their copies of Lady Chatterly's Lover. A man feels "blocked" and his lover suggests psychoanalysis. I ended up sympathizing somewhat with the poor lonely old codger just trying to get his rocks off and being fed Freudian morality...
...corporations - General Sexotics, Cybordelics, and Intercourse International. When the production of these giants was at its peak, sex, from a private amusement, a spectator sport, group gymnastics, a hobby, and a collector's market, turned into a philosophy of civilization. McLuhan, who as a hale and hearty old codger had lived to see these times, argued in his Genitocracy that this precisely was the destiny of mankind from the moment it entered on the path of technology; that even the ancient rowers, chained to the galleys, and the woodsmen of the North with their saws, and the steam engine...
...relatives, fussily insisting that officers and crew "refrain from language strong," should be a solid character nonetheless. He's the vehicle for Gilbert's satiric venom, and he should be just respectable enough for us to enjoy laughing at him. Jonathan A. Prince turns Porter into a lovable old Codger, who you'd help across the street or stage if you could stop cracking up for a moment. So much for social satire. The sets by Cindy Ruskin are good, the musical direction by David Crowe nothing special. The orchestra keeps rolling along, with only the brass contributing occasionally...