Word: coens
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Soon the world will find out if Burnett is right. In partnership with the Coen brothers, T Bone (real name: Joseph Henry) releases this week the first products from DMZ Records, a boutique label that plans to ignore every bit of conventional record-industry sales wisdom. DMZ's first two releases, both Burnett productions, are the Louisiana-laden sound track to Divine Secrets of the Ya-Ya Sisterhood and a new album--the 186th--from mountain-soul legend and O Brother featured player Ralph Stanley. There will be no large promotional budgets, no appeals to commercial radio. Burnett is convinced...
...behind-the-scenes chicanery than mere onscreen magic. Unfortunately, many of the more excellent films do not have the resources to compete for Academy votes on the same level as Hollywood’s studio behemoths, who often simply decide to put all their eggs in one basket. The Coen Brothers’ The Man Who Wasn’t There, for example, may have been more heavily marketed in other years, but its distributor, USA Pictures, has instead decided to throw all of its support behind the more critic-friendly Gosford Park. As a result, only Roger Deakins?...
...this sexy thriller as a TV movie. When it didn't sell, Lynch added a coda that sends his characters into the weirdest Wonderland, as if Twin Peaks were to morph into Blue Velvet. It's not all intelligible, but it's always fabulous. Like the Coen brothers' excellent The Man Who Wasn't There, Lynch's laugh-scream of a movie dwells lusciously in the Kingdom of Noir. It ransacks old-movie style to create an avant-movie nightmare...
...this sexy thriller as a TV movie. When it didn't sell, Lynch added a coda that sends his characters into the weirdest Wonderland, as if Twin Peaks were to morph into Blue Velvet. It's not all intelligible, but it's always fabulous. Like the Coen brothers' excellent The Man Who Wasn't There, Lynch's laugh-scream of a movie dwells lusciously in the Kingdom of Noir. It ransacks old-movie style to create an avant-movie nightmare...
Thornton's seriousness comes through best in his work, including the three movies he's starring in this season: in Bandits, which opened last month, he plays a Woody Allenish neurotic bank robber; in the Coen brothers' retro film noir The Man Who Wasn't There, he's a poignantly understated 1940s Job; and in December's death-row drama Monster Ball, his depressed prison guard finds a reason for living in a mixed-race relationship with Halle Berry. This guy does all right for himself...