Word: coens
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...script that director Ira Sachs has written with Oren Moverman, the tale in set in the late '40s - prime time for film noir, whose shadowy contours and sleek period architecture the Sachs movie mimes. Of late, noir has often been pretzeled into post-modernism: by Joel and Ethan Coen in The Man Who Wasn't There, by Todd Haynes in Far from Heaven, by Robert Rodriguez in Sin City. Each of these built on the viewer's familiarity with the form to play with and subvert it, to create a new, gnarled noir...
...Rose for Best Actress, Tilda Swinton in Michael Clayton for Supporting Actress - but no big ones that might have sent a murmur through the golden olden dude's nervous system. No Country for Old Men took its four expected awards: Picture, Director (for Joel and Ethan Coen), Adapted Screenplay (the brothers Coen again) and Sepulchral Menace (Javier Bardem). Daniel Day-Lewis, of There Will Be Blood, was a cinch for for Best Throbbing Forehead Blood Vessel. Nor was it a shock that Diablo Cody's Juno got the Original Screenplay prize, or that Ratatouille took Best Animated Feature. And with...
...pitched sitcom pilots and dramas and eventually won an Oscar nomination for co-writing the original screenplay for Good Night, and Good Luck. He makes sure to not get stuck in one character or type of film. He has a Joel and Ethan Coen movie coming out in which he plays an idiot (as he did in their O Brother, Where Art Thou?), and he's working on a movie about the founder of est and a comedy about the 1979 Tehran hostages who escaped. The next movie he directs and co-stars in is Leatherheads, a screwball comedy about...
...less than an hour for lunch, the nearest shopping mall is 200 miles (about 320 km) away. Those who live around here take immense pride in the desolate landscape that served as the backdrop for the films with the most Academy Award nominations this year, Joel and Ethan Coen's murderous No Country for Old Men and Paul Thomas Anderson's epic There Will Be Blood. But instead of buzzing about their potential golden night at the Oscars, locals are more concerned these days with a very real unfolding drama that has the potential to devastate the views, the unpolluted...
...younger generation is getting its turn. Paul Thomas Anderson, writer-director of the critics' darling There Will Be Blood, is 37. Jason Reitman, whose Juno is the only $100 million box-office hit of the five Best Picture finalists, is just 30. That leaves those two sassy outsiders--Joel Coen, 53, and his brother Ethan, 50--in the mainstream, though their entry, No Country for Old Men, carries the double-whammy genre curse of being a kind of western-horror movie. Can it beat out Anderson's parched epic or Reitman's new-family-values comedy? Its other competition: Michael...