Word: cohain
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Dates: during 1969-1969
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...WEEK I visited one of those colloquia, Rachel Bas-Cohain, a young artist-Scholar in her late twenties, presented her experiments with reflected light, motion, and polarizing materials. As one of the guests, I wandered with about fifty women through her exhibit, a collection of whirring, flashing, rotating constructions made of glass, wood, water, and light. One construction consisted of two panes of glass pressed against each other and suspended from the ceiling. From one corner between the glass panes, water vapor seeped continuously upward in lacy bubbles. A light cast on the wall a shadow of the moving vapor...
Later, in another room, Miss Bas Cohain began her presentation by reading a poem by Cummings. She then showed slides of paintings by Klee, Modigliani, Pollock, and various other modern artists, introducing them by saying simply that she liked them. The women in the audience sat silently in the dark, some smiling, some bewildered but receptive. Miss Bas-Cohain had said that she preferred not to explain what she was doing. She wanted to let the slides and the exhibit speak for themselves...
...exactly how to react (some women murmured confidentially to each other as if they were in a museum), but almost everyone looked pleased. There seemed to be something special about this almost completely female gathering. I got the feeling that all the women present were proud of Miss Bas-Cohain, perhaps because they identified with her as a woman. Among men, there's usually a competitive atmosphere, but that was absent here. Perhaps because they are still a minority group when it comes to having brilliant careers or even jobs, women feel something like the collective pride of the oppressed...