Word: cohan
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Dates: during 1910-1919
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George M. Cohan used to sing through his nose and glorify his country. Hodge talks through his nose, but he, too, glorifies the country--the rural regions of it. In this play he is, as usual, just a plain, easy-going country chap, who can faze a multi-millionaire with a shrug of the shoulder. That's probably why Boston likes William Hodge better than Broadway likes him. And that's why, in spite of a rather vapid vehicle, William Hodge will continue to talk through his nose at the Majestic for eight or ten weeks--unless influenza seizes...
...Chin Chin," at the Globe; "The Birth of a Nation," at the Liberty; "Hip, Hip, Hooray," etc., at the Hippodrome; "Common Clay," at the Republic; "Hit-the-Trail-Holiday," at the Astor; Geraldine Farrar in "Carmen," at the Strand; "Young America," at the Gaiety; "Miss Information," at George M. Cohan's; "Around the Map," at the New Amsterdam; William Gillette in "Sherlock Holmes," at the Empire; "Rolling Stones," at the Harris; Lillian Russell at B. F. Keith's; "The Boomerang," at the Belasco; "The Battle Cry of Peace," at the Vitagraph; and "Town Topics," at the Century. Members...
...Hamlet"; Maxine Elliot's Theatre, "The Lure"; 39th Street Theatre, "At Bay"; Cort, "Peg o' My. Heart"; Wallack's, Mr. Cyril Maude, in different plays; Empire. Ethel Barrymore, in "Tante"; Astor, "Seven Keys to Baldpate"; Lyceum, Grace George, in "Half an Hour", preceded by "The Younger Generation"; Geo. M. Cohan's Theatre, "Potash and Perimutter"; Eltinge, "Within the Law"; Long Acre, "Adele"; Belasco, "The Auctioneer"; Republic, "The Temperamental Journey"; Knickerbocker, Donald Brian in "The Marriage Market"; Globe, Richard Carle and Hattie Williams in "The Doll Girl"; and New Amsterdam, Christie Macdonald in "Sweethearts...